|Thursday, December 26, 2019 04:34 PM|
|On the Viewer - The Black Hole|
| by Fëanor|
I hadn't seen The Black Hole since I was a little kid, but I had powerful, positive isolated memories of it. Recently somebody online mentioned that it was available on Disney+, so I fired it up.
Oh my god, this movie is bonkers.
It came out in 1979, long before Disney owned Star Wars, and was apparently the studio's attempt to copy the success of A New Hope, which had just been released two years previously. It features cute little droids with goofy names, just like Star Wars, although they star alongside far less cute robot villains. The cast is pretty crazy, with Robert Forster as Captain Dan Holland, the hero and skipper of the starship Palomino; Anthony Perkins (!) as Dr. Alex Durant, the Palomino's lead scientist; Ernest Borgnine (!!) as journalist Harry Booth (who I guess tagged along to document the mission); Yvette Mimieux as psychic scientist Dr. Kate McCrae (who doubles as sort of a last minute love interest for Captain Holland); Joseph Bottoms as Holland's brave young first officer, Charlie Pizer; and Roddy McDowall (!!!) and Slim Pickens (!!!) as the voices of the two cute robots, V.I.N.CENT and B.O.B.
The guy with the meatiest part, however, is Maximilian Schell, who plays Dr. Hans Reinhardt, a mad scientist and the only remaining (sort of) crewmember of a gigantic spaceship called the Cygnus. I'm convinced that it is not a coincidence that Reinhardt's deadly robotic lieutenant - a floating blood-red enforcer armed with lasers and spinning blades - shares its name with the actor who plays Reinhardt: Maximilian. Their twisted relationship is one of the more interesting things in the film.
On its way home from an exploration mission, the Palomino comes upon what appears to be the abandoned hulk of the Cygnus floating perilously near an enormous black hole. The Cygnus had been on a similar mission of exploration, and had been ordered to return years ago, but never did. McCrae's father had been on the Cygnus, so the Palomino takes a closer look. Suddenly the Cygnus comes to life, its lights all flipping on at once. So the Palomino docks and the crew begins to cautiously explore the seemingly empty ship, doors opening and closing to lead them toward a particular destination...
The first half or so of the movie is basically gothic horror, but set on an enormous haunted spaceship next to a black hole, instead of an enormous haunted mansion on the moors. Reinhardt is the tall, dark stranger with the mysterious past who presides over the vast structure. He gives off a kind of Captain Nemo vibe - educated, intelligent, but with something dark and savage underneath. He'll subtly threaten you, then serve you a nice dinner off china plates.
Reinhardt claims he sent the rest of the crew home and expresses mild surprise that they never returned home. He stayed because his work was too important to leave. He puts the moves on Dr. McCrae, who is perhaps slightly charmed, but it's Dr. Durant who's really starstruck. Reinhardt strokes his ego and presents him with an opportunity to be part of amazing discoveries. Reinhardt claims he's worked out a way to pass through the black hole and survive, and he expects to find on the other side the answers to everything: the face of God, life everlasting.
It's clear to everybody but Durant that something is not quite right with Reinhardt, and that his story about what happened seems a bit fishy. As they continue to explore the vessel, they see more unsettling things that don't seem to jibe with Reinhardt's explanations. The tension and creepiness heighten steadily. The visuals are very effective. The special effects are certainly not up to modern standards, but the vast corridors of the haunted ship and the mirror-masked faces of the humanoid robots, who stand silent sentinel at control panels like mindless zombies, really get into your brain and stick there.
Eventually the tension is broken and the gothic horror gives way to Star Wars-inspired action sequences. Our heroes exchange laser fire with evil robots and then end up running from gigantic meteors that show up without warning seemingly just to pad the film out with even more destruction and drama. This part of the movie feels like Disney floating some ideas for a new theme park ride.
One really strange and fascinating moment in the film comes in this section: Maximilian kills somebody, Reinhardt kind of halfheartedly scolds him for it, then he steps up close to Dr. McCrae and says, "Please protect me from Maximilian." He's been giving orders to Maximilian throughout, which the robot has followed, but maybe he's not as in control as he appears. Indeed, when Reinhardt is crushed under a piece of wreckage in his crumbling control room, and pleads with Maximilian to help him, the robot ignores him and leaves him to die.
The very end of the film is where things really go off the rails, in a psychedelic, 2001: A Space Odyssey kind of way. Everybody goes through the black hole and the trip becomes, not so much metaphorically, but actually literally, a passage into the afterlife. Maximilian and Reinhardt tumble into each other on their way into the hole and a strange merging occurs. A closeup on Maximilian's red visor reveals Reinhardt's eyes inside. A slow zoom out reveals that Maximilian/Reinhardt is standing above a rocky, flaming, Bosch-esque hellscape peopled by long lines of shuffling humanoid robots. Meanwhile, our heroes travel along a crystal corridor to a heavenly alien world ringed with light.
I'd like to point out here that this was a movie made by Disney for kids! They even sold toys of the robots! I know because me and my brother had a couple.
Anyway, the point is, I love this movie. It's ridiculous and crazy and amazing. If you're looking for something to watch on Disney+, drop some acid and check it out.