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Sunday, May 17, 2015 04:49 PM
(Last updated on Sunday, May 17, 2015 04:52 PM)
On the Viewer - Mad Max: Fury Road
 by Fëanor

I know everybody and their brother has written something about this movie already, but whatever, now it's my turn.

I've always loved the Mad Max movies. The first one is probably the weakest, but still good, and they keep getting better from then on. The latest is the ultimate essence of the series.

The first film showed us a world on the brink of falling apart, already with only the barest elements of law and order left, already ravaged by gangs of wild, violent, amoral men. In the succeeding films, society has collapsed completely into savagery and mysticism. The remaining people are either terrorized or terrorists. They are all battered and traumatized, freakish and poisoned. They've gathered into desperate cults and gangs, roaming the wasteland in search of gasoline, water, and a rumored paradise that probably doesn't exist.

Max, despite always appearing in the title, is rarely the center of the story, but a lone, hungry wolf that stalks through someone else's story and then vanishes, a presence that everyone in that story becomes aware of and wants to use for their own purposes: a savior, a weapon, a blood bag. As he haunts the dead world, he in turn is haunted by his own ghosts: the people he couldn't save, the horrors he's seen. He is a witness of the story, and eventually a reluctant participant in it.

At the beginning of Fury Road, Max (a grunting, near wordless Tom Hardy) has been reduced to one instinct: survival. He's an animal. He has no hope. He's lost everything. He'll just do whatever awful thing he needs to do to keep going. But then he meets Imperator Furiosa (a stunning, unrecognizable Charlize Theron; if Max is the eyes of the movie, she's the heart). At first they're enemies, for the simple reason that they are both dangerous and in each other's way. But then they find they need each other's help. Totally against his will, Max becomes a part of her quest - a jailbreak, a return home, and a search for redemption. He watches her story. He sees her lose the thing she had been hoping for so desperately, hears her howl of despair and rage, and recognizes it. He made that sound himself a long time ago. He tells her it's a mistake to hope. But then, he sees her go on, keep trying, and finds he has begun to hope again, too. He helps her, saves her life, and in the process, comes back to life again himself. But he doesn't stay. He moves on. Still and always running.

I said that Max was a witness of the story, and in one scene he is actually explicitly asked to witness. The road warriors in the cult of Immortan Joe and his hideous family follow a kind of Viking berserker religion in which, when they believe they are about to die for the cause and go to Valhalla, they spray shiny silver paint on their mouths and call upon their brothers to witness their sacrifice. It is a weird, horrific, beautiful, deeply realized world, with surreal, jaw-dropping fever-dream visuals. A world of endless peril and danger, a hypersonic dance on a flaming knife's edge, where survival is so difficult and all-encompassing that everything is reduced to essentials; to rituals and superstitions. Who protects me? Which of the people and things that are precious to me can I protect? What magic must I do to make God listen?

Mad Max: Fury Road is a story about women who take a desperate chance to steal back their freedom and their humanity, and a guy who ends up tagging along. It's also a fast-motion, heart-thrashing, freakshow thrill ride that will rip your face off and leave you gasping for air. It's one of the most amazing spectacles I've ever witnessed. Witness it yourself.
Tagged (?): Mad Max (Not), Movies (Not), On the Viewer (Not)
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Welcome to the blog of Jim Genzano, writer, web developer, husband, father, and enjoyer of things like the internet, movies, music, games, and books. For a more detailed run-down of who I am and what goes on here, read this.

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