Wednesday, June 9, 2010 01:36 PM
The Take
 by Fëanor

Fëanor's (semi-)weekly comic book review post.

This post covers new releases from the week of 5/26. Beware spoilers!

New releases
Batman: The Return of Bruce Wayne #2
Bruce finds himself in Puritan times fighting a giant Lovecraftian monster with a sword. Which, right there... I mean, let's just stop and consider that sentence. That's awesome. Anyway, he's rescued and nursed back to health by a witch woman who, it turns out, called the monster forth in the first place. She's of the Bat-People, and has a necklace with Wonder Woman and Superman's symbols on it - probably derived from the symbols Bruce himself painted on the cave wall in these parts all those ages ago. "My devils are the old lords of the land and the sky," she tells him. "Gods of the Wheel of Time and the Never-Ending World. And all the spaces beyond." Uh oh, that doesn't sound good. Meanwhile, the Justice League jumps to just before the end of the universe in the hopes that they can look back on the universe's timeline and find where Batman has ended up. Another great, mind-blowing Grant Morrison idea. We get to see the origin of the painting of "Brother Mordecai," which, if I remember correctly, hangs in Wayne Manor in the present. Bruce's time-jumping seems to be linked to eclipses for some reason. And then the big revelation: Bruce has somehow made it to the end of time and taken the identity of the archivist there, all so he can steal the Justice League's time sphere and get back to his own time. He ignores Superman's desperate warnings: "He took your memories, relied on your survival instinct... you've been booby-trapped! Darkseid turned you into a doomsday weapon and aimed you directly at the 21st century!" Yeah, okay, that's awesome. And it even sort of makes sense - Darkseid didn't kill Bruce, he turned him into a failsafe world-destroyer, just in case his original plot failed. There's also a creepy time-looping curse: Bruce manages to slay the "dragon" using just a sword (because he's just that bad-ass), but he can't save his witch-woman. She dies cursing her executioner, who just happens to be Nathaniel Wayne. "My curse on you and all your kin! Until the end of time!" She's unwittingly cursing the man she was desperate for them to save: Bruce Wayne. Who now finds himself thrown across time again, right into the hands of the pirate Blackbeard. Awesome.

I truly love this series. It's classic Morrison: tons of crazy awesome ideas thrown at you all at once. He tells you just enough for you to work out what's going on, then rushes onward.
Thumbs Up

Incorruptible #6
I think this was probably the worst issue of this comic yet, and I think it has a lot to do with new artist Horacio Domingues. His work is just childish and cartoony, and the expressions on the characters' faces are exaggerated and overly emotional. It doesn't suit the material at all. All that being said, the writing here isn't too good, either. There's a lot of overwrought, melodramatic, and cliche dialog, especially during Jailbait's suicide attempt. That last scene is pretty over-the-top, too. Hopefully things will pick back up with the next issue.
Thumbs Down

Secret Avengers #1
Not content with starting just one, gigantic, 25-member Avengers team, Steve Rogers has also launched a smaller, secret Avengers team to handle black ops missions. Oddly it includes some of the same members as the larger team. Could they make this more confusing? Anyway, the secret team's first mission sees them intercepting an alien artifact that puts them on a trail that leads to Mars, where an even more dangerous, companion artifact is awaiting them. Both artifacts seem to have the power to turn former allies into enemies. The story is intriguing and fun, but the dialog and art are surprisingly clumsy. I expect better writing from Ed Brubaker, and better art from Mike Deodato. Valkyrie's and Black Widow's outfits cling to them in ridiculous ways in the opening fight sequence, and there's a panel near the beginning where Steve Rogers is supposed to be smiling casually that's just horrific - it looks like he's making some kind of hideous death grimace. On top of all that, the Secret Avengers team is mostly composed of characters I don't care that much about. Sure, Steve Rogers, Beast, and Nova are cool, but Moon Knight, Sharon Carter, Black Widow, Valkyrie, and War Machine are all pretty dull. I'll hold off judgment on the (redeemable) Ant Man, as I'm not too familiar with him. Anyway, I'm not crazy about this issue, but I might stick with the series for now and see where the story goes.
Thumbs Sideways

The Terminator: 2029 #3
This is the last issue of this series! I didn't realize it was only going to be three issues long! Thankfully it's just the prelude to another three-issue miniseries, done by the same creative team, that continues the story, but in a different year: 1984. Hoo boy! It's nice to see Ben and Paige getting together, and it's cool how future-Reese convinces Ben he's telling the truth. It's also interesting that Ben can't see past his current happiness to what's really important, until that happiness is taken away. I feel like it's a little cheap to introduce Ben and Paige's relationship only to tear it apart in order to give Ben motivation to complete his mission, but... it's done relatively well, with some effective narration, and Paige did feel like a real person while she was around, so I'll allow it. I like the way the comic fills in gaps in the original story, showing us Reese volunteering for the mission to protect Sarah Connor. We even get to see John sending him back. But there's an extra and interesting new element added: the older, future Reese claims he woke up after the fight with the T-800 in the factory (which took place at the end of the first movie) and was then imprisoned and questioned by machines. How could that have happened? In the movie he seemed pretty clearly to have died. Is this a different timeline? Or when his body was taken away at the end of the movie, did someone intercept it and revive him? I'm interested to see how they'll explain this, and of course to see how they weave Ben's story into the story of the original movie.

Unfortunately, there is a rather large continuity error here. In the movie, Reese said the time travel equipment was destroyed as soon as he went through, but that doesn't happen here, and in fact no such plan is even mentioned; instead, after Reese is sent back, John just leaves the machine sitting there and Ben and future-Reese have no trouble sneaking in to use it again. Which doesn't even make sense. I mean, who'd leave a time machine just sitting around? It's a disappointing logic error in what's an otherwise strong story.
Thumbs Up

Thor #610
The cover of this comic is labeled "Siege: Epilogue," and indeed that's all this issue really is: an epilogue to Siege. There's a two-page spread that nicely summarizes the end of Siege using six panels, mostly primary colors, and a handful of short phrases. It's better than reading the real thing, actually! Then we get Balder brooding, and trying to give the throne back to Thor, who wisely refuses, so he can go on kicking ass as the Thor we know and love. There's also a subplot with this Kelda lady who I still can't quite figure out. Apparently she used to like some dumb-ass named Bill? And now they're separated forever? I don't really care. Anyway, Thor finally gets to have it out once and for all with his clone, and that's kind of fun. But really this issue is just cleaning up old plot lines so we can move on to new stuff in future issues, so it's kind of dull and disappointing.
Thumbs Sideways
Tagged (?): Avengers (Not), Batman (Not), Comic books (Not), Ed Brubaker (Not), Grant Morrison (Not), Kieron Gillen (Not), Mark Waid (Not), Terminator (Not), The Take (Not), Thor (Not), Zack Whedon (Not)



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Welcome to the blog of Jim Genzano, writer, web developer, husband, father, and enjoyer of things like the internet, movies, music, games, and books.

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