|
|
| Wednesday, April 7, 2021 10:03 AM |
| (Last updated on Wednesday, April 7, 2021 10:07 AM) | | On the Viewer - Star Wars: Clone Wars (2003) |
 by Fëanor |
Here's another live-tweet compilation, this time from a re-watch of Genndy Tartakovsky's Clone Wars micro-series, which recently got added to Disney+. Technically, I believe this series is no longer canon, but as this article points out (thanks to my friend Camden for sending me the link), it could pretty easily be inserted into the story that the later The Clone Wars series tells, with a few small exceptions. And it should be, because it's great!
——
Like a lot of Tartakovsky's work, the original Clone Wars strongly emphasizes action and awesome visuals over words. There are lengthy sequences with no dialogue of any kind. Yet you always know what's going on. It's a very clear visual story, often told on a massive scale.
——
A lot of really fun and inventive designs, for the characters, settings, and vehicles. Also some great characters are introduced and developed here, like Ventress and Grievous. The Grievous we meet in this show is far more terrifying and dangerous than the one in the movies.
——
Durge is another really interesting character design. The way he bulges and extends and persists reminds me of Akira, and of the rampaging poisoned animal spirits in Princess Mononoke. I'm pretty sure the character never speaks, either. At least, he hasn't so far.
[Editor's note: indeed, he does not.]
——
One of the things Tartakovsky's Clone Wars is better at than maybe any other Star Wars show or movie is capturing the awesome power and incredible abilities of the Jedi, especially Jedi Masters like Windu.
——
It's also amazing at handling things of massive scale, like a gigantic warship with a huge, army-flattening piston on the bottom. Not a vehicle we see anywhere else, but this show makes it very memorable.
——
Anakin's duel with Ventress near the end of volume one of Clone Wars is just a masterpiece. Gorgeous setting, dramatic lighting, amazing action. And then of course the powerful metaphor of him picking up one of her own red lightsabers to ultimately defeat her.
——
The duel is followed by the introduction of Grievous, which is equally fantastic. Previous episodes have established how powerful the Jedi are, and now we see them defeated and cowering in terror from Grievous, who easily defeats a group of them single-handedly.
——
On Tartakovsky's Clone Wars, we learn more about the rituals and ceremonies of the Jedi than we ever have before. We learn there's a series of trials a padawan normally has to overcome to be granted knighthood, and we even get to see the rite where Anakin becomes a knight.
——
Yoda himself cuts off Anakin's braid to officially knight him. In a nice touch, Padme receives the braid and places it in a keepsake box along with the japor snippet necklace Anakin made for her when he was a boy. There's also some nice Qui-gon references.
——
There's a funny scene where Anakin gets to see 3PO in his gold plating for the first time. Then scenes of Anakin being a competent hero, coming to the rescue of other Jedi. Which is nice. Sometimes in the movies he's such a jerk it's hard to understand why anyone likes him.
——
Padme sees Anakin with his scar for the first time. R4 is destroyed and R2 becomes Anakin's droid. Lots of milestones in their lives, but it doesn't feel like they're just ticking boxes; it feels organic, like you're watching these characters change and grow.
——
I appreciate that Commander Cody first appears flying in with a jetpack. He's named after an old serial character who was famous for flying around with a jetpack.
——
Star Wars repeats lines of dialog like it repeats musical phrases and themes. I like that Obi-wan gets to say, "What an incredible smell you've discovered." They do a good job here developing their slightly antagonistic, big brother/little brother friendship dynamic.
——
Anakin is the hot-headed, action-oriented guy, while Obi-wan is more patient, thoughtful, precise. "There are alternatives to fighting," more repeated dialog...
——
It's nice that Mace Windu has a purple starship and a purple droid, all to match his purple lightsaber.
——
I'm not a huge fan of Star Wars' heroes tending to take advantage of a native alien culture's beliefs to manipulate them into assisting in their wars. It happens again here, with Obi-wan putting Anakin forward as some kind of prophesied hero.
——
Yoda absolutely wrecking the droid invasion forces with jaw-dropping displays of power. Good stuff.
——
Let's pick up where we left off with Clone Wars!
Yoda & Windu together are an almost unstoppable force.
I love the image of the Chancellor calmly drinking tea, watching the battle outside his window. He's orchestrated this war between disposable armies and he's gonna enjoy it!
——
Fantastic build of drama and tension as the Jedi wait at the elevator, watching the closed doors of the chancellor's office, behind which they can hear Grievous picking apart the clone soldiers...
——
Grievous is a deadly force of nature in this show. Just a terrifying monster. It's great.
——
The Ithorian Jedi's roaring trick is a unique ability that we haven't seen before. Fun.
——
I think this marks the first appearance of Grievous' staff-wielding bodyguards, another fun creation.
——
One of the trials a padawan faces to become a Jedi is the trial of the mirror, where they must overcome the darkness within themselves. This is the trial Luke faced in the cave on Dagobah, and the trial Anakin is facing on this alien world.
——
In Anakin's cave, the pictures on the wall begin to move, and they tell the story of a warrior whose hand was lost in a battle with evil. The new hand that took its place gave him power with which he defeated many enemies. But the power ran wild and killed his friends, too.
——
As the story ends, a face appears in the midst of the twisting vines of darkness: the face of Vader.
What a powerful moment. And as with a lot of Tartakovsky's most powerful scenes, it is entirely wordless - a purely visual story.
——
I love the realistic details, like the recorded voice repeatedly asking them all to "please deposit two Republic credits" as they run into the subway.
——
I love the inventive ways they use the force here: quietly lifting up the end of Grievous' cape and tying it to the end of a departing train. Brilliant!
Also, "no capes!" :LOL:
——
Yoda and Windu aren't just incredible warriors, they're also brilliant thinkers. As they're fighting, they both realize at the same moment that the invasion is just a distraction to hide the enemy's true purpose: the kidnapping of Chancellor Palpatine.
——
Shaak Ti stays behind to give her fellow Jedi time to get Palpatine to safety. Man, you just hate Palpatine even more in this scene, knowing that her sacrifice is meaningless, that this is all just a little play he's directing, and that his kidnapper is really his servant.
——
Anakin: "Do you think they'll be able to reclaim their old lives?"
Obi-wan: "I sense they will, as long as each of them is able to accept himself."
Anakin cringes at this. He doesn't seem sure he can accept what he might become...
——
Shaak Ti actually survives this, but is defeated. Windu manages to get a parting shot in on Grievous, crushing his chest plate, which explains why Grievous is always coughing and wheezing in Revenge of the Sith.
——
Anakin replaces his destroyed mechanical arm with a new one, now gloved in black - an ominous sign of what's to come. Obi-wan tries to comfort him, saying what we see inside ourselves can be frightening, but our choices shape our destiny. Unfortunately, Anakin makes bad choices.
——
Clone Wars takes us right up to the opening of Revenge of the Sith, ending literally moments before the events of that movie begin.
It's a thrilling, gorgeous, brilliantly realized part of the Star Wars story. I was really glad to be able to see it again. |
|
|
|
|
|
|
Jim Genzano's books on Goodreads
