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| Tuesday, December 19, 2023 02:20 PM |
| (Last updated on Tuesday, December 19, 2023 11:41 PM) | | Oops? |
 by Fëanor |
You might see some weirdness on my blog at the moment. It's encoding-related, but I'm really not sure why it suddenly started happening. I will work on it, and hopefully will have a fix soon. Thanks for your patience!
UPDATE: I *think* I have it fixed. I hope. |
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| Thursday, December 14, 2023 10:56 PM |
| It's That Time Again - PHP Time |
| by Fëanor |
So, turns out I've been using an invalid version of PHP for...a while now. Doh. Anyway, I've updated the site to the newest version, but it will probably take me a while to fix all the compatibility issues this has raised. If you notice anything busted around the site, please let me know and I'll get to it as soon as I can! Thank you. |
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| Tuesday, November 21, 2023 10:49 PM |
| (Last updated on Tuesday, November 21, 2023 10:51 PM) | | Behold! An Update! |
 by Fëanor |
Hello, folks! A couple of things. First, Twitter is now X, and X is garbage and run by a garbage human being, so I decided to remove all integrations with Twitter/X from my site. No more Twitter sidebar on the blog, no more links to my Twitter account, no more tweet buttons, etc. If you find a button or link to Twitter/X somewhere on the site, please let me know and I'll get rid of it. Thank you!
Second, my latest book - TOWER AND PIT: A STRANGER WORLD ADVENTURE - is coming out in paperback and ebook! It's the latest in my fantasy series about a boy named Hunter exploring a magical world and trying to solve its mysteries while hopefully avoiding being killed by any of its monsters. You can pre-order the book now most places (check the Published Works section for links and info), or you can wait and buy it when it gets released on Cyber Monday, November 27. Or, if you really don't like the idea of paying for things, you can enter the giveaway on Goodreads and maybe win a free copy! The giveaway ends on December 10, though, so hurry.
Okay, I think that's everything for now. Thanks for reading! |
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| Tuesday, June 6, 2023 10:36 AM |
| A Wizard, Demons, Snails, Zombies (Sort of), and Time Travel (Sort of) |
| by Fëanor |
Hey, my new book is out! It's the fifth entry in the Stranger World series and it's called Tower and Pit. The title of this post gives you an idea what to expect from it. It's the creepiest entry in the series yet, and I think a pretty fun read. I hope you'll agree. Currently it's available in hardcover at Amazon and Barnes & Noble. December of this year I'll be putting it out in ebook and paperback. As always, you can find links to every edition of all my books over in the Published Works section of my site.
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| Saturday, November 19, 2022 11:08 PM |
| (Last updated on Saturday, November 19, 2022 11:25 PM) | | On the Viewer - Guillermo del Toro's Cabinet of Curiosities: Season 1 |
| by Fëanor |
Hello folks! Been quite a while since I posted on here about anything other than my books, but I recently finished making my way through the first season of Netflix's horror anthology show, Guillermo del Toro's Cabinet of Curiosities, and I thought I'd talk about it a bit.
Guillermo del Toro, if you are somehow unaware, is a film director who is known for fantastical movies about monsters. I'm a huge fan. This show is kind of his version of Alfred Hitchcock Presents; he shows up at the beginning to introduce each episode, but it's a different director telling a different story each time, and there's no connection between the stories, besides the shared genre.
Episode 1 - Lot 36
This is one of the two episodes co-written by del Toro; it's directed by Guillermo Navarro, a cinematographer and long-time collaborator of his. It's set in America during the Gulf War and stars Tim Blake Nelson as a mean, greedy, self-interested, misanthropic veteran who buys the contents of abandoned storage units and sells off the items in them for as much money as he can get. He has no sympathy with, or interest in, the former owners of the units, and when one shows up to ask for some of her personal effects back, he refuses out of pure spite. He's the classic awful horror protagonist that you spend the whole story just waiting to see get his comeuppance.
His latest unit, it turns out, belonged to a former Nazi, and has some very creepy, but also very rare and valuable, items hidden away in it, including an infamous set of volumes on black magic. If he can find the final volume in the set, a collector promises him a huge cash payout - large enough to pay off the loan shark who's been threatening him.
This is a pretty solid horror story, with a creepy story, creepy and effective visuals, and some of my favorite horror tropes. But it does suffer a bit from having a completely unlikable and occasionally stupid protagonist. It also introduces some mysteries that are never satisfactorily explained. I'm okay with that sometimes, but this time I really wanted to know why that guy was skipping on the security cam footage. The conclusion of the story, though satisfying in its own way, feels a bit anticlimactic. You're told what's going to happen, and then you have to wait around while it inevitably happens.
Episode 2 - Graveyard Rats
This one's quite fun. It's written and directed by Vincenzo Natali, who made the original Cube. It has a darkly comic flavor to it and stars David Hewlett as a highly-educated man who, nevertheless, finds himself trying to scrape by as a graverobber. The cemetery where he plies his trade has had only slim pickings lately due to an extraordinary rat infestation - they keep stealing away the corpses, and all the valuable items buried with them, before he can plunder them. If he doesn't come up with some big ticket items soon, the sketchy guy at the dock who buys the goods off him may just bury him instead.
You may notice the plot here is very similar to that of the first episode: a down-on-his-luck guy engaged in a seedy enterprise must make a big score or likely die. This time, though, our protagonist is slightly more likable. Sure, he's a little pompous and awkward, but he has something of the sad, bumbling clown about him, too. Oh, and he's also claustrophobic. You can imagine what happens to him later.
This episode is a lot of familiar tropes presented well, with good effects and cool visuals. There's nothing astonishing here, but it gets the job done in the creepy crawlies department.
Episode 3 - The Autopsy
Another rather strong entry, this one directed by newcomer David Prior, and written by the prolific and talented screenwriter, director, and producer David S. Goyer. Our main character this time is a clever, likable medical examiner played by F. Murray Abraham. He's deathly ill, but facing it with wry equanimity. A sheriff who's an old friend of his has called him in to perform autopsies on a bunch of dead bodies recovered from the site of a mining accident. The "accident" was preceded by a strange series of disappearances, reappearances, and grisly discoveries, and the sheriff wants to know how it's all connected and what it all means. Our medical examiner hero discovers the answers, to his cost.
This is a disturbing and gory one. There were a couple of scenes where I had to turn away and squeeze my eyes shut until they were over. With Abraham in the lead, and other talented actors in the secondary roles, it's full of fine performances. There's a thoughtful, philosophical feel to portions of it, but in some ways I feel like it explains too much. The villain is an inveterate monologuer, and he gets a little tiresome. But if you want the creeps, this will give you the creeps!
Episode 4 - The Outside
Hoo boy. This one is something! I'm not familiar with the writer or the director, who are Haley Z. Boston and Ana Lily Amirpour, respectively. This episode features our first female main character, a bank teller named Stacey. She's played by Kate Micucci, with Martin Starr as her husband and Dan Stevens as the host of the unsettling infomercial that claims it can make Stacey's dream come true. Said dream is to be beautiful and popular, so she can fit in with the beautiful, popular girls at work. Why this is her dream isn't always easy to understand, as the other girls at work are pretty awful to her, and do nothing but gossip incessantly about all the sleaziest local drama, insulting and disparaging everyone they talk about.
After a hallucinatory interaction with a late night TV commercial, Stacey becomes obsessed with a skin cream that she's sure will help transform her into her perfect self. She uses it and continues to use it, despite the fact that it makes her break out horribly in red itchy spots. The cream is white and does a lot of splurting and squelching. The resemblance to another white substance is definitely not a mistake.
One thing I found interesting about this story is that, counter to the expected stereotype, Stacey's husband is not an abusive jerk! He is unflaggingly supportive and loving. It doesn't make any difference in the end, but still, it's refreshing.
This is really the only story in the whole anthology that features social commentary. It talks about the cultural obsession with a very specific kind of shallow, boilerplate sexual attractiveness, which television media encourages women to seek out and inhabit at the expense of all else. The pursuit of the destruction of idiosyncratic self in preference for this smooth, plastic ideal leads one woman into madness, violence, and death. It's surreal, darkly funny, and often deeply uncomfortable to watch.
Episode 5 - Pickman's Model
This was one of the episodes I was looking forward to the most, as it's based on a classic short story by H.P. Lovecraft that I quite enjoy. Sadly, I was disappointed. It's directed by Keith Thomas, another newcomer I was unfamiliar with. I did recognize the two male stars, however: Ben Barnes is our main character, Will, and the perpetually weird and creepy Crispin Glover plays the titular Richard Pickman. Will and Pickman are both art students at Miskatonic University, a school familiar to anyone who's read Lovecraft, and a school which is, most unfortunately, located in Arkham, Massachusetts. I say "most unfortunately" because this setting convinced the filmmakers to have Barnes and Glover speak all of their lines in absolutely atrocious Boston accents. Glover's is particularly egregious. It makes listening to the dialog a truly painful experience, far more horrifying and off-putting than any of the nightmarish sights we're presented with.
The plot is tiresome, proceeding in odd stops and starts, and sometimes veering off unexpectedly. It opens with odd outsider Pickman joining Will's art class. Will is fascinated by the man's unique, nightmarish paintings, and at first tries to befriend him, even calling him by the unfortunate nickname "Dickie." But Will quickly discovers that Pickman's work doesn't just look nightmarish - it also seems to bring nightmares to life in the waking world. The surreal visions Will experiences after looking at Pickman's paintings nearly ruin his relationship with his girlfriend and her family. Luckily for him, at this point Pickman inexplicably decides to pick up and leave, taking all his paintings with him.
Here the story makes a jarring time jump. All of a sudden, Will has gray in his hair and the girlfriend who seemed to have dumped him in the previous scene is now his wife. They even have a young son. This was such an unexpected and unexplained turn of events, I thought maybe it was meant to be a dream - but no!
Anyway, Will's successful, comfortable life is once again thrown off the rails by the sudden (again, unexplained) reappearance of Pickman and his oddly infectious paintings.
There's an attempt made to connect this story with the larger Lovecraftian Mythos by having some of the characters start chanting about Yog-Sothoth (the name of one of Lovecraft's Great Old Ones), but it doesn't go much of anywhere.
What exactly is the deal with Pickman's art? What does it do to people, and what does that have to do with his family history and the thing in his basement? It's not entirely clear. This adaptation does eventually recreate the shocking reveal that was the climax of the original short story. But since by that time we've already guessed as much, it's not very shocking. Furthermore, this adaptation seems to be telling a different story entirely, so the reveal doesn't make a great deal of sense. The final scene, though certainly horrific and effective in its way, is also a well-used cliche. After it's strongly implied that a certain horrible act has been performed, we crawl slowly toward the shocking reveal that...yes, that's just exactly what happened. Clumsily undercutting your own final revelation doesn't make for a great ending.
Episode 6 - Dreams in the Witch House
Another disappointing Lovecraft adaptation! Yay. This one was directed by Catherine Hardwicke and written by Mika Watkins, and it stars Rupert "Ronald Weasley" Grint in the main role, struggling with another very bad fake accent. He plays a spiritual investigator who, as a child, witnessed his twin sister's spirit being dragged away into another dimension upon her untimely death. He's been obsessed with finding his way to the other side ever since. With the help of a mysterious drug, and a stay in a haunted house built by a witch, he succeeds - unfortunately for him.
"Dreams in the Witch-House" is a lesser known Lovecraft story, but one I quite like, with fascinating ideas like mad geometry, impossible angles, and a creepy rat-like familiar named Brown Jenkin. Unfortunately, this adaptation doesn't really capture the flavor of that story, though it does include some of the characters and plot elements, and certainly features some really fantastically unsettling images. The crooked silhouette of the witch, lit only by her own burning eyes, lurking in the dark corners of the old house; the walls covered with strange symbols and creeping vines; and within those walls, the pattering feet of a rat with a human face...yeah, that's quality stuff.
Sadly, there's a lot of other stuff here that feels like filler, and doesn't work as well. The episode drags on a bit, and certain twists of the plot, including the final one at the end, feel random and arbitrary.
Episode 7 - The Viewing
A lot of horror stories can be broken into two parts: the slow buildup of tension and mystery, and then the horrifying revelation and payoff. The Viewing is like 80% buildup. It's well done, and super stylish buildup, but still...that's a lot of buildup. And the payoff, when it finally comes, is anticlimactic.
This episode was written and directed by Panos Cosmatos and Aaron Stewart-Ahn, who are also responsible for the absolutely insane and surreal Nicolas Cage vehicle, Mandy. I was not surprised to learn this, as the music and visuals in this short reminded me of that film. The music and visuals are effective and fun - this thing is dripping with style.
Eric Andre, Charlyne Yi, Steve Agee, and Michael Therriault play experts in widely varying fields who are all called together for a mysterious "viewing" by a reclusive and fabulously wealthy eccentric played by Peter Weller. After a lengthy intro, a rambling conversation, and a lot of drug-taking, Weller's character finally reveals that he's brought this group together to look at a weird rock he found. The rock is much more than it seems (natch), and things go horribly awry (natch).
The climax is exciting and gory. But then the story just kind of...trails off. There's a lot of philosophical talk, and a pretty cool monster, but what exactly is the point of it all? It's not clear.
Episode 8 - The Murmuring
This episode is easily the best of the season. It's written and directed by Jennifer Kent, who made the modern horror classic The Babadook. This short is concerned with the same theme as that film - grief.
Nancy and Edgar, a married couple who've recently experienced a terrible loss, are researching why and how birds are able to move so swiftly and seamlessly in enormous flocks called murmurations. As part of their research, they head out to a secluded island to record the behavior of birds called dunlins. They've been provided an old house to stay in while they're out there, but the house is haunted by its own terrible secrets. As Nancy struggles with sleeplessness and terrifying hallucinations, she becomes obsessed with learning the history of the house and the family that once lived there, and her relationship with Edgar begins to break apart.
Powerful, visceral performances from Essie Davis and Andrew Lincoln give this story weight and realism. It's a slower, more lyrical story than the rest, but it has plenty of scares and terrifying moments. It's also far and away the most emotionally hard-hitting episode of the season. My eyes were definitely leaking by the end. It's a gorgeous, deeply moving piece - a wonderful conclusion to the season.
It sounds like del Toro is already planning a second season. The first one was uneven, but that's to be expected of an anthology series. I'll definitely be curious to see more. |
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| Thursday, June 9, 2022 03:31 PM |
| It's that time again |
| by Fëanor |
I made you another STRANGER WORLD book! This one is called BOOK AND HALL and you can pre-order it now on Barnes & Noble. It will be officially released on June 27, 2022, when it will also be available on Amazon.com.
This is the hardcover edition, by the way. The paperback and eBook editions will follow either late this year or early next year. I'll certainly let you know!
This particular entry in the Stranger World series is a pretty fun one I think. The main setting for the story is a maze-like museum full of creepy and fascinating magical artifacts, overseen by a mysterious collector and his grumpy bear butler. There's also a winged horse, a squad of werewolves, and the return of two recurring characters: the Puzzle Piece Man and Esthuan Thievesbane.
I'm sorry to say this book also features the final appearance in the series of Hunter's best friends, Gertrude Clemmons and David Kim. My first draft of the Stranger World story was one enormous novel, and in that version, Gert had even fewer scenes, and David had almost none. When I decided to split the book into six parts, and it came time to flesh out this section of the story, I made it a priority to give Gert and David more space, because I really enjoyed the dynamic between Hunter and his friends. Also, with the story split into separate books, I needed to find ways to remind you of what happened last time at the beginning of each book. I found a way to combine both those purposes with this book's opening scene.
It was also breaking the story up, and then needing to flesh out the separate parts into their own books, that gave birth to the character of Esthuan Thievesbane, who ended up being one of my favorite things about the story. She gets a chance to shine again here.
Anyway, I hope you like the book, and thanks for reading! |
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| Wednesday, May 19, 2021 03:35 PM |
| (Last updated on Thursday, May 20, 2021 11:50 AM) | | UPGRADE! |
| by Fëanor |
Hey folks, just letting you know, I went ahead and upgraded my website to a newer version of PHP, because my host warned me the one I was using was painfully, unsupportably old (oops!). So, please let me know if you see any issues as you're poking around. Thanks!
ETA: While I was at it, I also got myself an SSL certificate, so you can now visit my site in a secure fashion using https! Very exciting. To me, anyway. |
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| Wednesday, April 7, 2021 10:03 AM |
| (Last updated on Wednesday, April 7, 2021 10:07 AM) | | On the Viewer - Star Wars: Clone Wars (2003) |
 by Fëanor |
Here's another live-tweet compilation, this time from a re-watch of Genndy Tartakovsky's Clone Wars micro-series, which recently got added to Disney+. Technically, I believe this series is no longer canon, but as this article points out (thanks to my friend Camden for sending me the link), it could pretty easily be inserted into the story that the later The Clone Wars series tells, with a few small exceptions. And it should be, because it's great!
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Like a lot of Tartakovsky's work, the original Clone Wars strongly emphasizes action and awesome visuals over words. There are lengthy sequences with no dialogue of any kind. Yet you always know what's going on. It's a very clear visual story, often told on a massive scale.
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A lot of really fun and inventive designs, for the characters, settings, and vehicles. Also some great characters are introduced and developed here, like Ventress and Grievous. The Grievous we meet in this show is far more terrifying and dangerous than the one in the movies.
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Durge is another really interesting character design. The way he bulges and extends and persists reminds me of Akira, and of the rampaging poisoned animal spirits in Princess Mononoke. I'm pretty sure the character never speaks, either. At least, he hasn't so far.
[Editor's note: indeed, he does not.]
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One of the things Tartakovsky's Clone Wars is better at than maybe any other Star Wars show or movie is capturing the awesome power and incredible abilities of the Jedi, especially Jedi Masters like Windu.
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It's also amazing at handling things of massive scale, like a gigantic warship with a huge, army-flattening piston on the bottom. Not a vehicle we see anywhere else, but this show makes it very memorable.
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Anakin's duel with Ventress near the end of volume one of Clone Wars is just a masterpiece. Gorgeous setting, dramatic lighting, amazing action. And then of course the powerful metaphor of him picking up one of her own red lightsabers to ultimately defeat her.
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The duel is followed by the introduction of Grievous, which is equally fantastic. Previous episodes have established how powerful the Jedi are, and now we see them defeated and cowering in terror from Grievous, who easily defeats a group of them single-handedly.
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On Tartakovsky's Clone Wars, we learn more about the rituals and ceremonies of the Jedi than we ever have before. We learn there's a series of trials a padawan normally has to overcome to be granted knighthood, and we even get to see the rite where Anakin becomes a knight.
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Yoda himself cuts off Anakin's braid to officially knight him. In a nice touch, Padme receives the braid and places it in a keepsake box along with the japor snippet necklace Anakin made for her when he was a boy. There's also some nice Qui-gon references.
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There's a funny scene where Anakin gets to see 3PO in his gold plating for the first time. Then scenes of Anakin being a competent hero, coming to the rescue of other Jedi. Which is nice. Sometimes in the movies he's such a jerk it's hard to understand why anyone likes him.
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Padme sees Anakin with his scar for the first time. R4 is destroyed and R2 becomes Anakin's droid. Lots of milestones in their lives, but it doesn't feel like they're just ticking boxes; it feels organic, like you're watching these characters change and grow.
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I appreciate that Commander Cody first appears flying in with a jetpack. He's named after an old serial character who was famous for flying around with a jetpack.
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Star Wars repeats lines of dialog like it repeats musical phrases and themes. I like that Obi-wan gets to say, "What an incredible smell you've discovered." They do a good job here developing their slightly antagonistic, big brother/little brother friendship dynamic.
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Anakin is the hot-headed, action-oriented guy, while Obi-wan is more patient, thoughtful, precise. "There are alternatives to fighting," more repeated dialog...
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It's nice that Mace Windu has a purple starship and a purple droid, all to match his purple lightsaber.
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I'm not a huge fan of Star Wars' heroes tending to take advantage of a native alien culture's beliefs to manipulate them into assisting in their wars. It happens again here, with Obi-wan putting Anakin forward as some kind of prophesied hero.
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Yoda absolutely wrecking the droid invasion forces with jaw-dropping displays of power. Good stuff.
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Let's pick up where we left off with Clone Wars!
Yoda & Windu together are an almost unstoppable force.
I love the image of the Chancellor calmly drinking tea, watching the battle outside his window. He's orchestrated this war between disposable armies and he's gonna enjoy it!
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Fantastic build of drama and tension as the Jedi wait at the elevator, watching the closed doors of the chancellor's office, behind which they can hear Grievous picking apart the clone soldiers...
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Grievous is a deadly force of nature in this show. Just a terrifying monster. It's great.
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The Ithorian Jedi's roaring trick is a unique ability that we haven't seen before. Fun.
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I think this marks the first appearance of Grievous' staff-wielding bodyguards, another fun creation.
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One of the trials a padawan faces to become a Jedi is the trial of the mirror, where they must overcome the darkness within themselves. This is the trial Luke faced in the cave on Dagobah, and the trial Anakin is facing on this alien world.
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In Anakin's cave, the pictures on the wall begin to move, and they tell the story of a warrior whose hand was lost in a battle with evil. The new hand that took its place gave him power with which he defeated many enemies. But the power ran wild and killed his friends, too.
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As the story ends, a face appears in the midst of the twisting vines of darkness: the face of Vader.
What a powerful moment. And as with a lot of Tartakovsky's most powerful scenes, it is entirely wordless - a purely visual story.
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I love the realistic details, like the recorded voice repeatedly asking them all to "please deposit two Republic credits" as they run into the subway.
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I love the inventive ways they use the force here: quietly lifting up the end of Grievous' cape and tying it to the end of a departing train. Brilliant!
Also, "no capes!" :LOL:
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Yoda and Windu aren't just incredible warriors, they're also brilliant thinkers. As they're fighting, they both realize at the same moment that the invasion is just a distraction to hide the enemy's true purpose: the kidnapping of Chancellor Palpatine.
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Shaak Ti stays behind to give her fellow Jedi time to get Palpatine to safety. Man, you just hate Palpatine even more in this scene, knowing that her sacrifice is meaningless, that this is all just a little play he's directing, and that his kidnapper is really his servant.
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Anakin: "Do you think they'll be able to reclaim their old lives?"
Obi-wan: "I sense they will, as long as each of them is able to accept himself."
Anakin cringes at this. He doesn't seem sure he can accept what he might become...
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Shaak Ti actually survives this, but is defeated. Windu manages to get a parting shot in on Grievous, crushing his chest plate, which explains why Grievous is always coughing and wheezing in Revenge of the Sith.
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Anakin replaces his destroyed mechanical arm with a new one, now gloved in black - an ominous sign of what's to come. Obi-wan tries to comfort him, saying what we see inside ourselves can be frightening, but our choices shape our destiny. Unfortunately, Anakin makes bad choices.
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Clone Wars takes us right up to the opening of Revenge of the Sith, ending literally moments before the events of that movie begin.
It's a thrilling, gorgeous, brilliantly realized part of the Star Wars story. I was really glad to be able to see it again. |
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| Tuesday, April 6, 2021 07:06 PM |
| On the Viewer - Godzilla Vs. Kong (2021) |
| by Fëanor |
This is another live-tweet compilation! I hope that's okay! There are some spoilers in here, so beware.
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[Thread #1]
"Kong bows to no one."
:Thumbs up: :COOL:
#GodzillaVsKong
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I like that each monster has a girl as his advocate. Also, spoiler: the scene where Kong talks is real good. I came in a much bigger Godzilla fan, but they're selling me on Kong here.
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It's interesting how the military guys just wordlessly do whatever the scientists say. I guess that is generally what happens in these movies, but it seems like at least in American movies there's usually more friction.
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Also, I strongly suspect we're going to see Mechagodzilla, and I'm HERE FOR IT!!!
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Can you really break into a secure electronic door by breaking open the keypad and jabbing it with a screwdriver that you licked the end of? I mean, I'm asking, maybe you can.
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Bro. HOLLOW EARTH! So cool.
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It's just a tad hard to believe that these three yahoos could just wander into this extremely secure, top secret area without anybody noticing or challenging them. But whatever, I'm here for the giant monsters.
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MECHAGODZILLA!! Called it! Yeah!
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Kong, axe in hand, on his throne, in an ancient hall in the center of the hollow earth. That is freaking cool as hell.
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Ghidorah's skull as a living psionic super computer. Damn, they just threw all the crazy ideas into this, and I'm loving it. The visuals are fantastic, too.
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Taking a break for tonight, but I feel like this movie has captured more of the spirit of comic books than a lot of movies I've seen recently that are supposedly based on them. The wild invention, the crazy colorful visuals, the epic scale, the rivalry, the big brutal fights.
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[Thread #2]
Picking back up where I left off with #GodzillaVsKong !
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I'm not totally clear on why they only need a tiny little sample of the hollow earth magic power rock, and boom, they're good to go. In fact, they don't even need the rock itself, they just need the data download about it. How does data let you produce enormous amounts of energy?
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Godzilla shot a hole into the middle of the earth with one blast of his radioactive breath?? Dang.
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Why did the hollow earth temple start falling apart anyway? Because of the tiny sample they took? Or because Kong switched the thing on with the axe? It seemed to start happening before Godzilla zapped the hole in...
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So, no massive gravity anomaly on the way out of hollow earth? That's only on the way in. Like the toll into Philly from Jersey.
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I love how colorful the movie is. Maybe partly a reaction from having recently seen the incredibly gray and drab Snyder Cut, but it's just beautiful.
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Did they consider a possible theme park ride based on this? The ship flying around between the battling titans is making me imagine a Star Tours type experience...
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Kong hanging off the top of the skyscraper is a nice callback.
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Not sure I ever remember seeing Godzilla crawling around on all fours. That was different.
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So, mechagodzilla just immediately starts thinking for itself once it's charged up with replicated hollow earth magic rock energy? Okay. Man, they're really asking us to swallow a lot here.
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Now we're gonna use the underground spaceship as a giant defibrillator paddle to restart Kong's heart. Sure!
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Okay, cool fight. But I feel like it would have been more interesting if people had actually been in control of Mechagodzilla, and if they hadn't just been crazy bad guys. I mean, there's a sane argument that can be made for destroying the Titans to protect humanity.
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A fun movie. It's interesting that it's really Kong's movie. He's basically the protagonist. I didn't expect that.
I'm a little bummed there are no post-credits scenes. They couldn't give us a little tease for the next movie? Maybe a little Gamera or something? Ah well. |
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Jim Genzano's books on Goodreads
