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| Monday, April 19, 2010 02:16 PM |
| (Last updated on Tuesday, April 20, 2010 09:06 AM) | | The Take |
 by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 3/31, plus a Fletcher Hanks collection. Beware spoilers!
Back issues and old data
You Shall Die by Your Own Evil Creation!
I mentioned in my review of the first collection of the work of Fletcher Hanks, I Shall Destroy All the Civilized Planets, that I would definitely have to check out the second collection, and now I have! The last line of the book says that these two collections constitute the complete works of Fletcher Hanks, so I guess that's that. It's quite a body of work. This volume includes a straight text introduction that repeats and augments the information included in the comic-style afterword of the first volume, adding more biographical information and even some fascinating sketches by Hanks. It's an interesting introduction, but also unsettling. Knowing more about what a wretched person Hanks was leaves me even more uncomfortable about enjoying his work so much.
In a lot of ways this book is just more of the same stuff that we saw in the first book, except that some of these stories seem to lack the truly wild imagination of those included in the first volume, and more seem to stray from Hanks' standard plot structure (God-like hero discovers evil plan, allows evil plan to commence, then finally intervenes and punishes evil-doer with poetic justice). Which is not to say that this is a bad book, or that Hanks takes any sudden, shocking turns into entirely new story types. His heroes are still all God-like, and they still spend their time defeating incredibly dangerous and destructive villains in unlikely ways. This book is maybe not as wildly inventive or as thematically consistent as the first, but it's nearly as fun and full of nearly as many crazy ideas and insane, evocative images. I particularly enjoyed the Fantomah story in which an immortal Egyptian mummy super-scientist uses a ray to blind the people of the jungle, and then resurrects all the mummies on Earth and transmits them through the sky to come live in a new jungle empire for Ancient Egyptians. Another great Fantomah story sees her fighting fifth columnists by sending hordes of lions and tigers through the sky at parachutists, and then destroying the remaining grounded planes and soldiers with Godzilla-like lizard monsters. Hanks even mimics other popular comic books of the day by giving one of his heroes, Stardust the super-wizard, his own squad of child assistants (although considering Stardust's infinite abilities, they seem kind of superfluous).
Overall I'd say this book is definitely worth getting, especially if you own and enjoy the first book.
Thumbs Up
New releases
Blackest Night #8
Here it is at last, the crappy conclusion to a terrible miniseries. I mean, if your comic opens with your main character narrating, without any trace of irony, the words "The truth is, I am afraid of one thing. I'm afraid to get close to people," then you need to consider taking some writing classes. I mean, that shit is awful. I'll admit, I always enjoy an epic two-page spread featuring everybody fighting everybody, but it's happened so many times in this series it's beginning to lose its affect. And when Jordan uses the Entity's power to just magically turn all his buddies into White Lanterns (a term which I'm still uncomfortable with), it's pretty much literally a deus ex machina. I do like the way they reverse the usual ending of epic comic book stories like this one by having the heroes fix everything by bringing the villain back to life instead of by killing him. But the way the Anti-Monitor (once hyped up by Johns himself as the biggest and most terrifying villain of them all) just pops up at the very last minute, hangs out for a few panels, and then pops out again seems pretty ridiculous. And bringing almost all of the dead heroes back to life again in one nonsensical, inexplicable act of resurrection is rather lame - it's pretty much what Johns has been doing with all his Rebirth miniseries, but multiplied by ten and packed into one giant spread. And of course he closes things up with another gag-inducingly cheesy conversation between Barry and Hal.
I think this series has pretty much put me off Geoff Johns for good. He's just not a very good writer.
Thumbs Down
Incorruptible #4
This issue isn't as great as the previous one, but it's still pretty fun, with more insight into Max's motives and character, more development of his twisted relationship with Jailbait, and a fight with a giant robot (something I never say no to).
Thumbs Sideways
New Mutants #11
This one-shot story explains the deal Moonstar made with Hela during the events of... the last big X-Men multi-book series, whatever it was called. Turns out she's now a Valkyrie, but instead of ferrying human heroes to the afterlife, she shepherds the souls of the Gods themselves! Which means she has powers again, but at a pretty high price. It's a vaguely interesting story, but one-shots are always a bit boring, and there's not a lot very exciting or imaginative going on in this one.
Thumbs Sideways
The Terminator: 2029 #1
I wasn't a big fan of Dark Horse's other recent Terminator comic book series, but this one had Zack Whedon's name on it, so I gave it a shot. I was not disappointed. Whedon wisely focuses on characters and relationships (because those are what make good stories, people!) and introduces us to a funny and interesting group of folks, including one that any Terminator fan will recognize immediately: Kyle Reese. I love that Reese tells one of his really depressing and terrifying stories, like the ones he's always telling in the first movie, and somebody finally calls him out on it: "Your stories suck." But the comic's not all people talking - after all, it wouldn't be Terminator without a bit of good, old-fashioned ultra-violence. So there's shooting and killing and a huge machine invasion, not to mention the historic and deadly first meeting between humans and the T-800 series of Terminators. This is a fine comic right here - a worthy continuation of the Terminator saga - and I'm looking forward to the next issue.
Thumbs Up |
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| Wednesday, March 3, 2010 04:06 PM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 2/24. Beware spoilers!
New releases
Batman and Robin #9
I seriously love this story arc. We open up this issue with the other shoe dropping on Batwoman's death. Turns out she killed herself on purpose, so Batman could drag her out and resurrect her in the Lazarus Pit! Crazy. She is seriously bad-ass. I love the banter between Batman, the Knight, and Squire. "At least we all grew up normal," Dick says. Riiiight. I love crazy clone Batman's insane dialog and twisted, nightmarish versions of Bruce Wayne's memories. I also love how Alfred and a crippled Damian manage to hold their own against him for a bit, using an elevator, a computer mouse, some gasoline, and electricity. "Stepping in gasoline was your biggest mistake." Ha! Batman jumping on a suborbital experimental craft so he can get back to Gotham in time, then swinging in to save Damian in the nick of time in an image that mirrors the cover of Detective Comics #27 = fabulous. Then he and Batwoman get to share a double-punch takeout of evil Batman. Sadly, Dick doesn't know Batwoman likes the ladies and makes a pass at her. Poor Dick. It's hilarious when Squire and Knight show up and get to do their own double-punch takeout of another criminal kingpin, who hopes they won't tell his "missus aboot the lasses." Heh. Then we finish up with the lead-in to the next storyline: "Bruce is still alive and we have to find him!" Awesome. Long live Grant Morrison!
Thumbs Up
Blackest Night #7
This opens with a bit of an interesting moment: Nekron asking one of the Guardians why he vowed to guard the universe, and him answering, "I do not remember." That's probably a large part of the Guardians' problem right there. Sadly, this scene is followed by a lot of pointless back-and-forth and bickering. The Black Hand makes a speech, Luthor goes berserk briefly, and there's lots of poor dialog. Then there's an impressive moment when all the armies of all the Corps suddenly show up in orbit over Earth in a big two-page spread. I'm curious about whoever is trapped inside the Black Lantern power battery - could it be the Anti-Monitor maybe? But the big reveal of this issue is that the Guardians secretly buried on Earth The Entity - the first life in the universe, and the embodiment of the White Light, just as Parallax is the embodiment of the Yellow Light. Nekron digs it up to kill it, but then Sinestro jumps in and becomes the White Lantern (or the Honky Lantern, as I like to call him), which is rather an interesting turn of events. Is he going to pull a Norman Osborn and save the universe so he can take it over? I don't know. All I know is, there's only one more issue of this thing left, thank God.
Thumbs Sideways
Captain Swing and the Electrical Pirates of Cindery Island #1
Warren Ellis' new, crazily-titled Avatar series is here! It's set in an alternate-history version of London, 1830 (well, a secret-history version of London, 1830, if the narrative text is to be believed), where there's a conspiracy involving magistrates and Bow Street Runners; Bobbies are being horribly killed, possibly by Spring-Heeled Jack; and a guy named Captain Swing, who's mastered electricity and electrogravitics, is flying around the skies in a boat covered in lightning. Needless to say, I freaking love this comic. I even love the narration; it provides historical context, but not in a dry way - it's loaded with personality and humor. The dialog is excellent, too, my favorite line being the following: "The future is whatever in this world I have decided not to kill." Looking forward to seeing where this one goes next.
Thumbs Up
The Flash: Rebirth #6
Finally, after even longer than it took Captain America, the Flash is done getting reborn! This issue opens with a pretty exciting and emotionally effective action sequence, spanning across enormous amounts of time and space, in which Reverse Flash is finally captured and there's a parade. Then there's a whole bunch of rather confusing jump-cuts to various other settings and characters. I didn't really follow what all of that was about, except that clearly Johns is planting seeds for future story arcs. The scene between Barry and Iris is a little corny, but mostly works, and I really enjoy the final scene at Justice League HQ with Barry showing up late, as usual. On the whole, not a bad miniseries.
Thumbs Up
Gravel #17
This issue opens by reminding us that Gravel isn't exactly a nice guy, as he recruits into his Minor Seven a woman who uses "blonde magic" to kill a bunch of guys in really horrible ways, despite the fact that some of them, at least, don't really seem to deserve it. Meanwhile, some dude who doesn't like Gravel very much makes some kind of hideous magic machine out of bone and guts and kills a bunch of people in a church, apparently just to get Gravel's attention. Which is interesting. It's nice to see a larger story arc developing again!
Thumbs Sideways
Irredeemable #11
Some of Bette Noir's secrets have come out, and they're definitely interesting, but it sounds like she's still holding back some further, even more terrible secret, and I'm curious to know what it is. It looks like Qubit screwed up as far as Encanta is concerned and she got whisked away somehow. I'm not sure what that's about. The sequence in the home of Tony's first foster family is twisted in the extreme. The idea that they haven't spoken a single word aloud for years and years, just because they were afraid Tony would hear them, is mind-blowing. I continue to burn through each issue of this comic as quickly as I can read it, and I'm always disappointed when I run out of pages. Nice work, Mr. Waid!
Thumbs Up
The Marvels Project #6
Brubaker starts rewriting Toro's origin story in this issue. I'm intrigued as to how that's going to turn out; I suspect it will make a lot more sense than the original version - the Human Torch just randomly stumbling upon a kid with a weird ability at a traveling circus. And hey, look, an evil (well, more evil) Sub-Mariner! Meanwhile, the actual Sub-Mariner makes his move, and it's destructive in the extreme! The disaster brings out all the heroes, including a lot of dudes I don't recognize at all. Cool! Of course, the arrival of Captain America is the most exciting moment. It's great to see the core of the old-school Invaders standing together in the final panel, even if they're not all buddies yet.
Thumbs Up
New Avengers #62
This issue brings to an end the latest story arc and takes us up to the start of the events of Siege, also connecting back up to things we saw in what I think was the New Avengers Annual. When I got to the end and realized we'd just caught up with the present, it was hard not to see this whole story arc as just filler. I mean, all it does is fill in some blanks and reveal where certain characters were at certain times. Plus we get to see certain characters meet the returned Steve Rogers for the first time. Which is fun and all, and there's some great art and some fun action. It's also pretty funny that Luke Cage came back to the hideout just to get his kid's favorite binky, and it's great to see Cap say "Avengers assemble!" just like old times. But yeah, bit of an anticlimax and a letdown here.
Thumbs Sideways
Scalped #35
This is a one-shot focusing entirely on a poor, elderly couple trying to scrape out a living at the edge of the rez. It teeters on the edge of melodrama, especially when the jet crashes at the end, but the strong art and Aaron's excellent writing save it from falling over. Instead, it turns out to be another powerful and emotionally effective issue of one of the best comic series on the stands.
Thumbs Up
Star Trek: Deep Space Nine #3
Speaking of comics that are just filler, this issue feels like a bunch of people repeating the same information over and over, adding a few small details on each repeat, but ultimately not really getting anywhere. It's just repetitive and dull. The Major is still way over-sexualized, constantly standing around pouting with a hand on her hips, and there's another of those weird panels where somebody's expression is way more dramatic than it has any right to be given the circumstances (this time it's the Major instead of Sisko). I did enjoy that classic moment when Odo walked into the bar and yelled, "Quaaaark!" and I'm still curious as to what the solution to the mystery is, but mostly I'm just getting tired of this series.
Thumbs Sideways
Thor #607
I love Thor as a character, but I didn't like the writing on this book when JMS was on it, so I've been avoiding it. But I noticed that this issue was starting a new story arc, tied into Siege, and that my man Kieron Gillen was now on writing duties, so I picked it up. And what the hell do you know - it's fantastic! Heimdall trapped in his room, condemned to see invaders coming to destroy Asgard, but unable to do anything about it? Amazing. Epic. Mythical! The dialog in general is excellent, and I like the characterization of Volstagg and his cop friends. It's also pretty funny seeing them try to use YouTube. And hey, Agent_M makes a cameo at the end! Well, his Twitter feed does, sort of. I like the idea of people adding Asgard banners to their "chatter" icons, and the posters in the style of Shepard Fairey's Obama poster, with the image of Thor and "WRONG" written across the bottom, are inspired. Good stuff! Guess I'm collecting another series now. Sigh.
Thumbs Up |
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| Tagged (?): Avengers (Not), Batman (Not), Blackest Night (Not), Brian Michael Bendis (Not), Captain America (Not), Comic books (Not), Ed Brubaker (Not), Flash (Not), Geoff Johns (Not), Grant Morrison (Not), Gravel (Not), Green Lantern (Not), Jason Aaron (Not), Mark Waid (Not), Scalped (Not), Siege (Not), Star Trek (Not), The Take (Not), Thor (Not), Warren Ellis (Not) |
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| Wednesday, February 24, 2010 01:26 PM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 2/17. Beware spoilers!
New releases
Captain America #603
The image of crazy Cap smiling over his shoulder with Bucky's old uniform on a dummy in the background is a very disturbing one. Meanwhile, the real Cap's poor planning gets both him and Falcon in trouble. Pretty fun stuff. Unfortunately, the Nomad backup story is still terrible. Really poor, melodramatic, unsubtle writing.
Thumbs Sideways
Dark Avengers #14
Bendis' clumsy, confusing Sentry-as-angry-God-or-maybe-something-else-entirely storyline continues and gets, if possible, even worse. We open with Osborn and Hand having a lengthy and mostly boring and repetitive conversation about Osborn's mental health, where they do a lot of posturing and all that really changes is that Osborn agrees to see a therapist (although whether he actually will is still in question). Also, Hand shoots Moonstone with a laser gun for having too much sex. Then suddenly Bendis remembers that the Sentry was destroying the world, and we get back to that whole thing. But all Osborn has to do to stop him is to mention that various big Marvel heroes would probably kill him if he tried to destroy the world, so he agrees not to. Um, what? The Sentry/The Void/Galactus/junkie wacko/the God of Abraham just backs down after a feeble death threat? Can you say ridiculous? Can you say anticlimax? After all that back and forth about what the Sentry really is and what his true origin really is, basically the only thing that changed is that now Osborn wants Bullseye to be ready to kill Lindy. Which, admittedly, is kind of an interesting threat to have hanging over the rest of the story. But what a dumb story! What terrible dialog! What atrocious misuse of characters! What a waste of pages!
Thumbs Down
Green Lantern #51
The crazy, over-the-top, multi-colored back-and-forth that is Blackest Night continues. Johns' dialog here leaves something to be desired, as usual. It feels like he's trying to cram too much into each line, as if every sentence has to state (and restate, over and over) in relatively obvious fashion everything he wants to say about that character and his relationship with whatever character he's talking to. Larfleeze is greedy, so every line he says has to be about that! And so on.
In a rather unlikely twist, Jordan's gambit works perfectly and Parallax does indeed de-Black Lantern the Spectre. But the non-zombie Spectre isn't terribly helpful to the good guys, and it sounds like the now-freed Parallax has been taken over by some other power and will cause more trouble later. So maybe not such a great plan after all. There's an interesting and slightly silly moment where Atrocitus nearly succeeds in recruiting the Spectre to his Corps (is everybody going to be turned every different color possible before this thing is over?). Then the Spectre reveals that there is indeed some embodiment of the force of Rage somewhere in the universe, but that he's not it. Hmm. Food for thought! The final page is pretty impressive and ominous, but Blackest Night as a whole continues to not really do it for me. Which is not to say I'm likely to be able to resist buying the books, but still.
Thumbs Sideways
Incorruptible #3
I've been waiting for Incorruptible to step things up and really grab me the way Irredeemable did, and in this issue it happened. Awesome!
The opening image is of a mad scientist dangling a woman over a bucket full of slime and tentacles and saying, "Now, you might feel a pinch." That's hilarious right there. As the comic goes on, the bickering, dysfunctional trio of Max Damage, Jailbait, and Lieutenant Armadale really starts to gel as a group of characters. Jailbait in particular is really starting to come into her own. "You let me fight the Hentai Brothers in a cage match because you said it was hot! And I won! And it was hot!" Ha! There are plenty of intriguing references like that to the mysterious backgrounds of these characters - like Dr. Origin's line about Max being his "only success." The next page is priceless: Max and Jailbait walking away from a huge explosion as Jailbait asks, "Where's Origin?" and Max answers, "You ask an awful lot of questions." I also love Jailbait trying to grab the TV remote control from Max; the sad peak into Armadale's past; and the deeply disturbing look at the event that made Max change sides. He was actually tired of life and of other people enjoying it, and was about to kill a bunch of people when the Plutonian showed up and did it for him! Wow. Excellent stuff.
Thumbs Up
Joe the Barbarian #2
This is a wildly imaginative story, weaving drunkenly along the edge between reality and fantasy. We continue to stumble back and forth between Joe's "real" world and a dangerous, explosive, frenetic fantasy world populated by fantastic, large-as-life, animated versions of his toys and his pet mouse. There's a war going on there between good and evil - between Lord Arc and the forces of light and King Death and the forces of darkness. It might be that Joe is the prophesied savior, and that the mouse-warrior Jack is protecting him from the Nazgul-like servants of an ultimate evil. Or it might be that Joe just really needs to get to the kitchen and have some soda. It's pretty amazing stuff, and Sean Murphy's insanely creative art is just as important to the story as Grant Morrison's wonderful, carefully portioned, bombastic-in-just-the-right-way dialog, which is constantly referencing the weird jargon and history of this fantasy world in a clever and subtle way that draws us in, and is more intriguing and entertaining than confusing or off-putting. I'm hooked!
Thumbs Up |
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| Tagged (?): Avengers (Not), Blackest Night (Not), Brian Michael Bendis (Not), Captain America (Not), Comic books (Not), Ed Brubaker (Not), Geoff Johns (Not), Grant Morrison (Not), Green Lantern (Not), Mark Waid (Not), Siege (Not), The Take (Not) |
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| Saturday, January 16, 2010 09:42 AM |
| (Last updated on Saturday, January 16, 2010 09:43 AM) | | The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the weeks of 1/6 and 1/13. Beware spoilers!
New releases (1/6)
B.P.R.D.: King of Fear #1
As per usual when picking up an issue of B.P.R.D., I felt a little lost at the beginning of this comic, like I'd forgotten some important plot details. But only a little. Even though it's not good for our heroes, I rather like the plot twist of the military withdrawing its support from B.P.R.D. and insisting on handling things its own way. That seems realistic, especially considering all the crazy crap B.P.R.D. has asked them to do. It's good to see Kate hanging out with her boyfriend again, and the Lobster's riddle-spewing ghost is both amusing and disturbing. And of course I loved seeing the link back to an earlier part of the Hellboy story. But what has happened to the Lobster and poor Johann now? Guess I'll have to wait and see. Anyway, another intriguing episode in the saga of the Hellboyverse.
Thumbs Up
Blackest Night #6
I really want to stop collecting this series! But something always draws me back in. This time it was the promise on the cover of "NEW GUARDIANS." Also, a quick flip through the book revealed that a whole bunch of random superheroes were getting rings, and that intrigued me. And, to be honest, there is some cool stuff in here. It's genuinely funny when Larfleez interrupts Sinestro's serious speech about tactics to point out that he wants the kill shot, too. It's cool when Barry grabs onto a chain of willpower and drags Hal along while he dashes two seconds into the future and outruns the black rings. The ring duplicating, deputizing thing is a bit gimmicky and hard to believe, but I loved the idea of Luthor getting an orange ring and Scarecrow getting a yellow ring - that's just perfect. Sadly, the other pairings of characters with rings don't work as well. The power of love overcoming the power of the black ring and turning Wonder Woman into a Whore Lantern, for instance. Yuck. And apparently the indigo ring comes with free language lessons, a staff, a loincloth, and body paint? Still, I have to admit, there are cool ideas here. It's hard to resist the concept of a huge ring war where every damn superhero and villain gets a magic ring and jumps into the fight.
After the main story, there's a cover gallery in the back advertising a bunch of upcoming Blackest Night tie-in issues, none of which really interest me. I don't quite get the numbering on them, either. Starman #81? The Question #37? Did they just make up those numbers or what? And why and how are there going to be so many tie-ins, anyway? I thought this series was finally almost over! How can it just go on and on?!
Thumbs Sideways
Siege #1
Speaking of epic, flagship, universe-changing miniseries, here's Marvel's new one. I'm not familiar with the name of penciler Olivier Coipel, but I rather like his work here, especially the two-page spread set in Asgard where Loki shows up to warn Balder about what's coming. There's an impressive vision of the city plus a creative panel layout. That full-page pic of the Avengers flying toward Asgard with Ares on the nose of a jet is also super hot. The comic is also pretty fun story-wise, especially now that I've mostly gotten over the lame plot device of Loki and Osborn manipulating Volstagg into creating another Stamford event. I like the way everybody but Osborn is pretty freaked out about going up against the Gods. I liked it when Thor shows up and gets into the fight, although I would have preferred to see more of Thor vs. Sentry (talk about a clash of the Titans!). And it's great having Cap jump up with his fist shaking in rage in that last panel. There's a transcript in the back of a longer version of Osborn's conversation about the siege with his Avengers which is kind of amusing, although my copy of it is a little messed up; the dialog on the third page is just a reprint of the dialog on the first page. You'd think Marvel would have paid a little closer attention to stuff like that on such an important comic, but whatever.
This is an okay start for Siege. I'll stick with it for now, see how it goes.
Thumbs Sideways
Siege: Embedded #1
I wasn't planning on picking up this tie-in comic, but... well, you know me. Sometimes I just can't resist. Anyway, this thing is actually pretty interesting. There's a character named Todd Keller who's clearly a parody of Glenn Beck (and perhaps Bill O'Reilly, to a lesser extent). Really the whole thing is about the media, about news-reporting intrigue, and about how political forces can shape how people view them by controlling who tells the story and how. It's rather clever.
Thumbs Sideways
New Mutants #9
Good lord I love this comic. The opening, with a portal to hell opening and a bad-ass commando group stepping out - wow. I also like Doug, and I like the scene of reconciliation between him and Amara. But best of all is Magik's story of time travel and Lovecraftian doom. Yay! I can't wait to read more of this storyline.
Thumbs Up
New releases (1/13)
Aliens vs. Predator: Three World War #1
Despite the fact that I've given up on both the Aliens and Predator miniseries being put out by Dark Horse at the moment, I still couldn't resist giving the company's Aliens vs. Predator series a try, especially since it's written by a guy named Randy Stradley whom I just started following on Twitter (he does these little known Star Wars facts on there that are pretty funny). The comic doesn't waste time and jumps right into the action and the killing. A ship lands in the middle of a mining colony and out come the Aliens! The twist is, they're actually being led out on chains and used as attack dogs by a bunch of Predators! Woah. That's a terrifying and exciting concept right there. Later we learn these are actually a quasi-mythical faction of Predators who don't hunt with honor, but simply kill for no reason. Interesting.
This storyline is actually a sequel to another storyline I never read, but the comic does a good job catching you up on the important information, so I never felt lost or confused. The writing isn't fantastic, but the concepts are intriguing, so I'll probably hang in there for at least one more issue.
Thumbs Sideways
The Marvels Project #5
This comic continues the disappointingly brief and exposition-heavy summary of Steve Rogers' transformation into Captain America. I know we've heard this story a million times, but I thought they'd give it a new spin or a different perspective in this miniseries. Instead Brubaker is just kind of hurrying on past it. Ah, well. The fun part here is the first appearance of the Red Skull, who is, as usual, right in the middle of doing something really awful and despicable. The bits with Steele and Fury and the Nazi scientists are interesting, and it's great seeing Cap getting suited up in the classic uniform for the first time, and meeting The Angel, whose perspective on Cap is fascinating.
Thumbs Sideways
S.W.O.R.D. #3
I love the contentious relationship between Brand and Beast, and Beast's witty dialog. Writer Kieron Gillen is even managing to make Gyrich a vaguely interesting character, which is difficult indeed. I love the scene where the troops invade Lockheed's room (which has nothing in it but a basket, a bottle of liquor, and a picture of Kitty) and try to take him into custody, and he easily eludes them. The scene with Doug, Warlock, and the Celestial is clever and cool; the Unit's backstory is totally fascinating; and Beast's escape plan is pretty brilliant. I was kind of hoping this issue would suck so I could drop this comic, but no such luck! In fact, it's fantastic.
Thumbs Up
The Unwritten #9
I think it's fair to say that this is my favorite comic on the stands at the moment. This issue is full of magic, tension, mystery, drama, and tragedy. Watching the children, their heads full of fantasy and a desire to help, wander into the prison and toward their doom, trusting to the very last in the power of a make-believe world to save them, is absolutely agonizing and devastating. I love the scene where the Governor reaches toward the ghost of Roland holding out his horn and punches through him to the fire alarm. I love the doorknob that opens magic doorways. And then Roland blowing his horn, and the final, terrible, fateful transformation of the Governor into Count Ambrosio - WOW. This is amazing, amazing stuff.
Thumbs Up |
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| Tagged (?): Aliens (Not), B.P.R.D. (Not), Blackest Night (Not), Brian Michael Bendis (Not), Comic books (Not), Ed Brubaker (Not), Geoff Johns (Not), Green Lantern (Not), John Arcudi (Not), Lovecraft (Not), Mike Carey (Not), Mike Mignola (Not), Predator (Not), Siege (Not), The Take (Not) |
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| Tuesday, December 29, 2009 05:41 PM |
| The Take |
 by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from the week of 12/23. Beware spoilers!
New releases
Buffy the Vampire Slayer: Season Eight - Willow
This entry in Dark Horse's One-shot Wonders series is a flashback story written by Joss himself, and focuses on what Willow was up to before the events of Season Eight. Turns out she left Kennedy behind and went on a mystical journey - a sort of witch's walkabout, to gain knowledge of herself and learn how to deal with the enormous amounts of power she has. The journey is full of guides and dangers and magic and fascinating metaphors. The math goddess gets all emotional for some reason. Then Willow gets naked and wet and chooses the sexy snake-lady trickster for her guide. Okay then. It's a pretty neat story, with some moving character development and some imaginative moments, even if it does get a bit cheesy at points.
Thumbs Up
Captain America: Who Will Wield the Shield? #1
Due to Marvel's delayed publishing schedule and screwed up chronology, this one-shot, self-described as "The Stunning Aftermath of Captain America: Reborn," has been released before Captain America: Reborn is over! Also, it's not particularly stunning. D'oh! Still, it's not much of a spoiler to learn that Steve Rogers regains control of his body and our main characters survive. I think we all knew that was going to happen. There's a brief action scene, but this comic focuses mostly on thinking and talking, as Steve and Bucky discuss... well, the question asked by the subtitle of the comic (which is incredibly cheesy, by the way). It ends up being reasonably emotionally effective, and true to the characters. But it's also slightly underwhelming, as there's very little drama or conflict, and the outcome is pretty clear from the beginning. The bit with the President at the end is a little corny, too. And there's a weird moment between Steve and Sharon just before that that's oddly creepy, and I don't think it was meant to be creepy, but I'm not sure, so it kind of threw me off. I blame the artist.
Thumbs Sideways
Criminal: The Sinners #3
Tracy gets closer than he realizes to the solution to the murder mystery, then gets himself involved in a whole new kind of trouble (the Triads), while finally becoming aware of the other kinds of trouble he's already in. Poor bastard. It's just another tense, exciting issue of Criminal. The essay in the back, by Tom Piccirilli, is not my favorite - the writing is a bit clumsy - but I appreciate the attempt to bring attention to Korean crime thrillers, as I'm a fan of the genre myself. I'm particularly happy that The Chaser got mentioned, since I really enjoyed that film. Well, "enjoyed" is perhaps not the right word, but it's a great movie.
Thumbs Up
Green Lantern #49
This issue turns the focus on John Stewart and what he's been experiencing on the planet Xanshi. Interestingly, he meets a character there named Driq, who seems to be both a Green Lantern and a Black Lantern at the same time. He also does some relatively bad-ass stuff and has an important character moment. Then there's a separate short story where some Black Lantern tells Ray Palmer Nekron's origin story. Yawn. Yeah, overall, another mediocre issue of Green Lantern, with Johns' usual lame dialog and overdone narration. I'm seriously thinking about dropping this book. I still kind of want to know how this story is going to play out, but I'm not sure it's worth slogging through all this disappointing writing.
Thumbs Sideways
Hellboy: The Bride of Hell
Another entry in Dark Horse's One-shot Wonders series, this is one of the more difficult Hellboy comics I've read, not because the plot is complex, but because the moral and ethical issues are. It starts out looking like a typical, straight-up, Hellboy-saves-an-innocent-girl-from-an-evil-demon story, but the sect of knights who work for God and who are thus theoretically the "good guys" turn out to be pretty rigid, heartless, and bloodthirsty, while the demon and his servants turn out to be funny and sympathetic. It's a powerful, thought-provoking story that takes some really unexpected turns. I'm so pleased that Mignola can still surprise and delight me with stories about this character and his world.
Thumbs Up
Irredeemable #9
All kinds of exciting stuff goes down in this issue. Looks like The Plutonian is about to be replaced by someone even worse. And then there's Project Ultimatum, which is a crazy and fantastic addition to the story. And meanwhile, we've finally found out where Modeus is. Interesting! The only thing I don't like about this comic is how short each issue is. I just want to keep reading it and reading it.
Thumbs Up
The New Avengers #60
I gotta admit, this is a pretty great issue. Lovely art from Stuart Immonen, with beautiful colors by Dave McCaig, and a fun story in which Norman Osborn mistakenly blows up his own house, and Bullseye just laughs at him. Also, Pym and Strange take a magical, scientific, Fantastic Voyage inside of Luke Cage. And a dude's head gets blown up with a magic bullet. Good stuff.
Thumbs Up
New Mutants #8
Defeating the cat lady by tossing her own arm out the window and telling her to fetch it was cold - and awesome. Also, Magma is hot (literally!), the scene with the missiles is kind of sweet and sad, and it's great having Doug and Warlock back. I still refuse to read anymore of this Necrosha crap, though.
Thumbs Up |
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| Tagged (?): Avengers (Not), Blackest Night (Not), Brian Michael Bendis (Not), Buffy (Not), Captain America (Not), Comic books (Not), Criminal (Not), Ed Brubaker (Not), Geoff Johns (Not), Green Lantern (Not), Hellboy (Not), Joss Whedon (Not), Mark Waid (Not), Mike Mignola (Not), The Take (Not) |
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| Friday, October 16, 2009 04:38 PM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post has really gotten out of control lately. It takes so long to write that I've started to look at it as a chore, and I've purposefully avoided working on it, which doesn't make sense; this is supposed to be something I'm writing for myself, for fun, on my own blog! And when I do get it done, it's so long that even I don't want to read it. For now I'm going to stick with it, but try to keep my reviews as short as I possibly can. If it remains a chore, I might drop it altogether.
This post covers new releases from the week of 9/16, plus a back-issue I missed. Beware spoilers!
Back-issues and old data
Dark Wolverine #77
The first story arc of Dark Wolverine ends with a kind of stalemate. But Daken has gained allies and is owed favors. Clever guy. Clever book.
Thumbs Up
New releases
Batman and Robin #4
Scarlet is seriously creepy. She and the new Red Hood are taking a violent but effective approach to crime-fighting. But who is Oberon Sexton, and who is the Flamingo? Hmm.
Thumbs Up
Blackest Night #3
Flash: "Whoever did this... crossed one hell of a line." I couldn't have said it better myself, Barry! The new Firestorm is seriously lame, and there's lots of corny dialog and melodrama in this issue. But it's good to see the Indigo Lanterns finally showing up and explaining how to defeat the Black Lanterns. It feels satisfyingly right that to counter the absence of light you'd need to combine the whole light spectrum to make White.
Thumbs Sideways
Captain America: Reborn #3
More emotionally effective time-shifting scenes with Steve. He figures out a clever way to send a message to the present that reminds me of an episode of Star Trek: The Next Generation. Bucky makes a bad-ass escape, Sharon makes another in a long line of really bad choices, and then there's a really effective and creepy ending.
Thumbs Up
Dark Avengers #9
A surprisingly moving and effective issue focusing on Ares' relationship with his son, and his reaction to discovering that the kid is essentially working with his enemies. Also features a shocking sequence with the Sentry, and another amusing Osborn freakout.
Thumbs Up
Dark Reign: M.O.D.O.K. - Reign Delay #1
A comedic one-shot in which M.O.D.O.K. is tricked by Norman Osborn into returning to his hometown of Erie, PA, where he comes face to face with what a desperate & pathetic a loser he used to be - and still is. It's only when he meets a hero even more desperate & pathetic than he is that he stumbles on success. The book relies on shame and the incompetence of its main character to generate humor, and that's my least favorite type of comedy. Still, the book has its moments.
Thumbs Sideways
Dark Wolverine #78
This issue reminds us that Daken and Norman Osborn are not nice guys. In fact, they're both extremely clever and manipulative scum bags who aren't afraid to kill innocent people to get what they want. Fun!
Thumbs Up
Star Trek: Romulans - Schism #1
Klingon sex is scary. I've enjoyed Byrne's other books in this storyline, but I'm having a hard time getting into this one. Maybe it'll get better.
Thumbs Sideways
Ultimate Armor Wars #1
I was expecting a lot from a new Warren Ellis book set in the Ultimate universe, so naturally I was a bit disappointed in this rather dull story about Tony getting robbed and saving a girl. But it does have a classic Ellis-style line of dialog: "I'm dying of super-powers."
Thumbs Sideways
Wednesday Comics #11
Batman - More clumsy dialog and hard-to-believe emotional reactions from Batman and our villainess. Is her heart made of ice or gold? Azzarello can't seem to decide. And I can't shake the feeling this is a mediocre crime noir story that shouldn't have Batman in it at all.
Kamandi - Our happy ending is interrupted by a deus ex tragedy. Argh! That sucks.
Superman - Some fun action and an exciting ending, but the dialog, though occasionally effective, is mostly just a load of clumsy exposition.
Deadman - The other shoe finally drops and what's really going on is at last revealed. Only thing is, everything seems to be resolved, so I'm not sure what's left for the last issue.
Green Lantern - Giant space fight! I don't really get why the narration says, "They came, they saw-" and then never finishes the phrase. But otherwise, fun.
Metamorpho - Another big reveal/happy ending that seems to leave little room for another issue's worth of doings. Cool art, some fun action, but not as exciting as one might hope.
Teen Titans - I believe I've read comics that sucked worse than this one, but I can't really think of any right now.
Strange Adventures - A slightly disappointing entry in an otherwise great strip; basically this episode just repeats and slightly augments the ending of the last episode. Still, it's pretty fun and the art is great, so...
Supergirl - Supergirl sucks at nonverbal communication, and the aliens shoot her. Luckily, the superpets are coming to save the day. I remain unable to get into this strip. It is cutesy and dull.
Metal Men - A terrible sacrifice is made by the few for the good of the many! It's actually slightly moving. Slightly.
Wonder Woman - Another cluttered and confused episode of this strip. Well, at least it's consistent. All the gleeful bondage harks back to the rather embarrassing origins of this character. But hey, since when did the lasso make you a slave? I thought it just made you tell the truth.
Sgt. Rock and Easy Co. - Finally, a real action scene! Unfortunately, it's a pretty clumsy action scene, with more unbelievable back and forth between Rock and the Nazi Captain. Sigh.
Flash - A surreal, powerful, dramatic climax with more unique and imaginative panel layout - this time the strip spirals down toward a point in the bottom right corner. I'm not sure exactly what's going on, but it's an interesting, emotionally effective story with well written dialog, so I'm okay with it.
The Demon and Catwoman - Exciting magical action! The Demon even breathes flame. But Catwoman's jokes at the end fall a bit flat.
Hawkman - Aquaman sets a shark and an octopus on a T. Rex! That might be the coolest thing I've ever seen Aquaman do. Awesome!
Thumbs Up |
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| Tagged (?): Avengers (Not), Batman (Not), Blackest Night (Not), Brian Michael Bendis (Not), Captain America (Not), Comic books (Not), Dark Reign (Not), Ed Brubaker (Not), Geoff Johns (Not), Grant Morrison (Not), Green Lantern (Not), Iron Man (Not), John Arcudi (Not), John Byrne (Not), M.O.D.O.K. (Not), Paul Pope (Not), Star Trek (Not), Superman (Not), The Take (Not), Ultimate Comics (Not), Warren Ellis (Not), Wednesday Comics (Not), Wolverine (Not) |
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| Friday, September 18, 2009 11:36 PM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from 8/28 and a back issue from 8/19. These days I'm trying hard to omit the plot synopses, but I still might slip in a spoiler now and then, so be warned.
Back issues and old data
Doctor Who #2
Meh. This is relatively fun and clever, and the silent movie comedy/chase sequence near the end is vaguely amusing, but overall it's just rather silly and bland. I'm not going to buy any more of these.
Thumbs Sideways
New releases from 8/28
Batman and Robin #3
When I started reading this issue, I was afraid I'd somehow missed the previous issue. It picks up right in the middle of the action, and has Batman talking about people and events that were unfamiliar to me. But that's just Grant Morrison's crazy style; you'd think I'd be used to it by now. This is just another insane, disturbing, confusing, exciting issue of Batman and Robin. I like that Dick gets to say the "I'm Batman" thing. I also like that Damian gets to prove he's a badass by beating the crap out of Pyg and his freakish slaves. But then he makes the terrible mistake of promising a girl he'll save her, and then failing to do so. Twisted and hurting, she's taken under the wing of the next villain B&R will have to face: the new Red Hood. And that's not the only hint at more evil to come, as Batman finds an ominous clue along with the antidote to Pyg's plague (which has "Antidote" written on it - heh). The end as a whole is quite eerie, actually, with Pyg mumbling creepy, threatening predictions in his cell, his freaks losing their faces, that poor girl smothering people, the Red Hood shooting cops - and just who is it that's watching Alfred from the gargoyle on the building across the street? There's also a funny bit between Dick and Damian. Damian: "So we're agreed. It's Robin and Batman from now on." Dick: "That'll catch on."
Thumbs Up
Batman: The Widening Gyre #1
Sometimes I like Kevin Smith's writing, but not here. I hate the way his Batman over-narrates and over-shares. It might be acceptable if the narration was really well written, but it's not. Smith's Batman, when interacting with Nightwing, ends up seeming rude and annoying instead of the cold, hard bad-ass he's supposed to be. Plus, the story just isn't that interesting or creative. A body turns up with weeds all over it - must by Poison Ivy! Oh, and look, she took over Arkham Asylum again. Yawn. Smith also seems to feel like he always has to take things that one step too far. His Ivy is ridiculously over-sexualized (I'll admit to enjoying artist Walt Flanagan's half-naked depictions of her, but Flanagan's Batman mostly just looks stupid), his Etrigan ridiculously violent and bloody, and his dialog ridiculously over-the-top. I don't see any reason to keep collecting this series.
Thumbs Down
Beta Ray Bill: Godhunter #3
Bill actually has Galactus on his knees, but finds to his horror and rage that the greater good lies in protecting Galactus from those who would finish him off. It's a powerful and well done sequence, beautifully drawn by Kano and well written by Kieron Gillen, although why the Silver Surfer didn't tell Bill in the first place that Galactus' death would cause a colossal and apocalyptic explosion I'm not sure. Galactus' act of mercy and creation is moving and effective, and it's good to see Bill whole again. This was an excellent little series. I even enjoyed the backup reprint tale - Beta Ray Bill's origin story - which is wonderfully drawn and written by Walter Simonson. It's full of sweeping, epic, mythological adventure, as well as sacrifice, heroism, nobility, and magic. There's even a little comedy and romance! It's just great comics.
Thumbs Up
Dark Avengers #8
Woah! Artist Luke Ross' interpretation of Hela is mighty sexy! Although what she has to do with the story isn't entirely clear to me. I also have no idea who all those people are fiddling about under the ocean, or what that place is that they drag up out of the water at the end. I'm guessing I need more background on the incredibly complex history of the X-Men. Anyway, throughout this series I've been complaining about characters acting in unlikely ways, but in this issue pretty much all of that is explained away, as various folks reveal themselves to be double agents. I had the feeling something like this might happen, although I probably should have been more prepared for it than I was. Why Norman Osborn wasn't more prepared for it, I really don't know. I mean, it's reasonably exciting and impressive, but not exactly a huge shock. The people he was trusting to stay on his side are people who notoriously change sides constantly. Ultimately, Scott's big plan isn't really all that impressive. I mean, he just orchestrates a big retreat to some island he dragged up out of the ocean. How does that really solve anything? And what was the point of even having moles in Osborn's organization if in the end all they did was just leave?
I'll admit at this point I'm a bit prejudiced against Matt Fraction, but c'mon, this story was just lame. The conclusion of it will be told in a one-shot which I obviously won't be buying.
Thumbs Sideways
Flash: Rebirth #4
In this issue, Geoff Johns starts outlining his new conceptual framework for the Speed Force, mostly via a lengthy lecture from Reverse Flash, and it's a bit confusing. I think I got the gist, though. Speedsters need a lightning rod - a person to keep them anchored to reality - so they can return from the Speed Force. Also, there's both a positive and negative Speed Force. Barry Allen appears to be the creator and personification of the positive Speed Force, and the Reverse Flash is the same for the negative Speed Force. But the two Speed Forces sort of attack and feed off of each other. The Reverse Flash brought Barry back to life so he could pollute him with negative Speed Force and torment him, but now his plan is backfiring on him.
Anyway, despite the fact that this issue is mostly a lot of really crazy, highly unlikely exposition, I still enjoyed it quite a bit. I'm willing to buy the conflicting Speed Force idea for now, as it's kind of neat. And anyway, all that exposition is accompanied by plenty of exciting, fast-paced (natch) action, wonderfully visualized by artist Ethan Van Sciver. He uses some really inventive techniques to get across the incredible power that's being accessed here, and the incredible speed at which these characters are moving. One of my favorite panels, however, is one with very little detail where everything is still. It's the one where Wally is lining up like an Olympic runner before a race, preparing to dash into the Speed Force to save Barry. All we see is his silhouette, with the lightning bolts on his costume glowing, and a lightning bolt cracking the sky in the background, as the silhouettes of Bart and Jay look on. Run, runner!
I have to say, to my surprise, I'm still really loving this comic, and looking forward to more.
Thumbs Up
Green Lantern #45
Really? A zombie planet? I actually said, "Oh, c'mon!" aloud when I got to that part. There's an interesting moment a bit further on, when Carrol's ring tells her, "You shine the light of the immortal love that was crystallized eons ago between the two unknown souls whose bodies were brought from Earth to Zamaron." I'm assuming those two are going to turn out to be characters we know. Hmm... I enjoy how this issue successfully gets across the idea - more than ever before - that an epic, galaxies-spanning war is going on here, as we jump back and forth from world to world and see the fighting and killing going on everywhere. It's also fun seeing the black rings suddenly burst in on people all over and add a whole new dimension to the fighting. And hey, Laira's coming back! I bet she'll be pretty pissed at Hal. Another fascinating moment comes when Sinestro uses a giant construct of Hal Jordan against Carrol in their battle. We also get a glimpse at Sinestro's secret lost love, right before the Black Lanterns show up. But my favorite scene is when the black rings come to visit Agent Orange. There's a fantastic two-page splash of all the people he's murdered now rising against him. Doug Mahnke's human figures are sometimes a bit freakish looking, but he's pretty fantastic at monsters and huge battle scenes, so this comic generally looks great, thanks in part to Randy Mayor's fine coloring.
There are still things about Blackest Night that bug me, but I have to admit this is a good comic.
Thumbs Up
The Incredible Hulk #601
I'd pretty much decided I was going to drop this book before I even looked at this issue, but since I'd already bought it, and since I was curious to see where Pak was going to take the Hulk next, I decided to give it a read. Yeah, it's not so good. It opens with a really ridiculous and unbelievable sequence in which Bruce Banner (now de-powered after the highly ridiculous and unbelievable events of the previous issue) meets an abusive father and is somehow able to instantly hack the guy's phone, learn everything about him, and threaten him without getting himself beat to a pulp. Then he has a pissy conversation with Reed Richards, who takes him into the Baxter Building to be examined thoroughly and officially cleared of Hulkness, as it were. A while back I had a few debates with other comic fans over who the smartest people in the Marvel universe must be, and one of the most interesting things about this issue is when they give you some strong hints on that subject. Bruce says he's "one of the eight smartest people on the planet," suggesting that he must be number eight (otherwise, wouldn't he have said he was one of the seven smartest people on the planet, or some even lower number?). Later Reed assembles "a few of the smartest people on the planet" to help him examine Banner and they include Hank Pym, Hank McCoy, T'Challa, Amadeus Cho, and, of course, himself. Add Banner to that list and we've got six of the smartest people on Earth. Later Banner mentions Tony Stark, whom I believe is another member of the group. And nobody mentions Dr. Doom, but I think it's safe to put him in there, too. And that makes eight!
There are some subtle hints that Bruce isn't really as free of the Hulk as he seems, and then all of the sudden we're in the middle of a fight, as Skaar shows up out of nowhere and pounces on Banner. It really happens ridiculously quickly. The pacing feels all wrong. And it seems just a little silly that they've decided to bring back some kind of giant metal suit that Banner invented way the hell back in Tales to Astonish #60. He also has conveniently invented a personal shield that feeds off of gamma radiation and the Old Power, so he's completely protected from Skaar. He just threw together this magical, deus ex machina device during all his recent leisure hours, huh? It's all very silly. Although I do rather enjoy the ending, wherein Banner decides to pick a fight by hacking a H.A.M.M.E.R. satellite to shoot a laser at some guy (is that Juggernaut?? What does he have to do with anything?).
In the back, after the main story, is a pretty terrible backup story starring the new She-Hulk (Lyra). It's melodramatic and painfully poorly written by Fred Van Lente.
So yeah, I'm glad I decided to drop this book!
Thumbs Down
The Incredibles #0
Yay, an Incredibles ongoing series!! This zero issue jumps back in time to tell the story of Jack-Jack's birth. Doc Sunbright, just introduced in the previous Incredibles miniseries, has a major part in this story as well, as he's the only doctor they can really go to when the time comes for Helen to give birth. The problem is, when that time does come, Sunbright is being held hostage by a gang of supervillains, who demand that he give them a mysterious alien virus. Bob and family have to suit up and power up to save Sunbright and keep him and Helen safe long enough for Jack-Jack to be born. All goes well, of course (in fact, in an entertaining turn of events, Bob gets to work out his anxiety and aggression about the birth by beating the snot out of a whole load of bad guys - "I'm not trapped in here with you - you're trapped in here with me!"), but there's an ominous final shot of the alien virus that suggests we're not really done with it after all. I wonder if it will be at the center of the first story arc of the series?
It's great getting to read this fun, untold story from the past of the Incredibles. I also loved getting a look at some more of the supervillains in the Incredibles universe. Writers Mark Waid and Landry Walker deliver the characters we know and love having another exciting and funny adventure together, and artist Marcio Takara illustrates things perfectly. My only complaint is one of continuity. It was clear in the movie that the family had never fought together as a team until they did so on Syndrome's island. It was also clear that Violet had used her force field powers very rarely and really didn't know how to handle them. But this story has the four of them suiting up and going at it like old pros, and Violet creates a force field big enough and strong enough to contain her Dad and a whole bunch of angry supervillains. It just doesn't make sense. Still, overall I enjoyed this issue and I'm looking forward to more.
Thumbs Up
The Muppet Show: The Treasure of Peg Leg Wilson #2
We open with a recap of the previous issue being sung to us by a three-piece hillbilly band sitting on the stoop outside the theater. Next, the "mahna mahna" guy and his pair of "doo doo" backup singers show up and do pretty much the same song, except instead of "mahna mahna," the guy says, "Machu Picchu." It's a cute reference. And as I suspected, it turns out the guy in the leather jacket is not, in fact, Kermit, but an impersonator - he even pulls the mirror gag on Kermit. I love Scooter's page, where he does some detective work and comes to the conclusion that the hypnotist hanging around the theater is most likely an evil hypnotist. He also eventually figures out the identity of the impersonator: it's a toad named Kismet. But as it turns out, he's not as shifty as he seems. Or maybe he is! This continues to be a fun comic, with wonderful art by Roger Langridge.
Thumbs Up
The New Avengers #56
Most of the Avengers do not take well to being de-powered. The one or two who didn't have any powers in the first place are just as fine as ever - but also just as de-powered as their buddies, and thus not much of a match against the big bads. But as it turns out, the Wrecking Crew and their buddy Doctor Jonas Harrow are targeting a different set of Avengers - Norman's! And what the hell do you know - their de-powering device even works on the Sentry! Not only that, they hack Norman's armor and tear it to pieces! Very impressive stuff. Two teams of Avengers on their knees. And meanwhile, Loki is helping Parker Robbins find a new source of power now that his Hood is no more.
A really thrilling and engaging issue with some really interesting and unexpected plot twists. Brian Michael Bendis must have written this one on one of his good days. Still, I might not have enjoyed it as much as I did if it weren't for the mind-bogglingly excellent art of Stuart Immonen, accompanied by Dave McCaig's beautiful colors. Great, great work.
Thumbs Up
New Mutants #4
The first story arc comes to a satisfying conclusion in another fine issue of this series. It's really interesting seeing the uncomfortable interactions between the rest of the team and its de-powered member, Dani. Dani still wants to contribute, but Cannonball just wants her safely out of the way, and it makes for lots of tension and drama. Artist Diogenes Neves (with the help of colorist John Rauch) really kicks things up to the next level in this issue, especially in his depictions of Legion's mental landscape. I love the visual metaphors being used here, and the fantastic imagery. And the physical fight going on outside Legion's mindscape is nearly as thrilling and visually inventive. Meanwhile, writer Zeb Wells' deftly handles characters, dialog, and story with subtlety, realism, drama, and humor. I particularly like the final exchange between Cannonball and Cyclops. Cannonball: "I get the feeling that half of them think they could have done a better job, and one of them out-and-out hates me." Cyclops: "Heh. Welcome to my world."
I was afraid this series would start to let me down as the first story arc progressed, but it stuck to the same high level of quality in both writing and art from first issue to last. I'm very excited to see where this book goes next!
Thumbs Up
Predator #2
The first issue of this series really bored me, and I was prepared to drop it if this issue was lame as well, but as it turns out things got a lot more interesting this time around. Our group of soldiers and mercenaries manages to take down one Predator, and it looks like one of their number (Thorpe) knows a lot more than he's letting on about the creatures. But their problems aren't over. Not only are human rebels shooting at them, there's also a whole gang of Predators picking them off one by one. But the really cool and interesting moment comes at the end, when we realize there's at least one Predator who's hunting the other Predators, and is thus sort of on their side. Woah. Yeah, okay, I'm hooked! For now.
Thumbs Up
Scalped #31
Wow. Just, wow. Jason Aaron has been carefully building up a fistful of storylines over the past 30 issues, and now he's ratcheting up the tension in every single one of those storylines and building them all up to the breaking point. The overwhelming feeling is that the whole thing could bust open at any moment. Franklin might be about to solve not just the murder of the agents back in '75, but also Gina's murder. Bad Horse could be about to help Nitz nail Red Crow once and for all - if he doesn't get ratted out or killed first. Diesel is about to get out of jail and is planning to get revenge on Bad Horse - possibly by taking it out on Bad Horse's girlfriend. Meanwhile, the Hmongs are roaring into town with a load of guns in the trunk and war on their minds. Aaron is conducting a symphony here. It's brilliant how he's bringing this all together. And R.M. Guera's excellent art just adds another layer of drama and power. Comics at their finest.
Thumbs Up
Sherlock Holmes #4
Another series that's really coming together is Dynamite's Sherlock Holmes. Last issue left me a bit confused and impatient, but this one explains away some of those confusing bits and adds some interesting new layers. It seems Holmes is a lot more in command of things than he seemed, and he may in fact have been manipulating the situation from the beginning. The entire outlines of his plan aren't clear yet, but what is clear is that he has a plan and that it's under way, and that's good enough for me. I'm quite content to sit back and watch it unfold, and confident that I'll be impressed by his genius when all is revealed in the end. It's a great feeling!
Thumbs Up
Sinister Spider-Man #3
This series is so twisted and wrong. I love it. Pissed at a reporter, "Spider-Man" leaves a dead, half-digested, rabid squirrel on his desk along with a note reading "FROM YOUR F-N-SPIDER-MAN." Nice! Later he has a confrontation with the gang of freaks and geeks who want to "redeem" him. Things don't go well for the redeemers. In fact, Spider-Man does horrible, awful things to them. But he hands over only one to the police - the hilarious Doctor Manhattan parody. "I think he's magic or something? I dunno." Ha! Later, the poor armless Redeemer has to have someone else open an envelope for him - an envelope with which the Mayor can destroy Spider-Man. Theoretically. Should be fun to watch him try!
Thumbs Up
Skrull Kill Krew #4
Even taking into account Sinister Spider-Man, I think I still have to give the title of most twisted and wrong comic this week to Skrull Kill Krew #4. Now that the Krew know what they really are (and how they got that way - apparently what was left of their humanity has died off, leaving only Skrull behind), some of them are feeling understandably confused about what they should do, and of two minds about what they've done. There's an odd moment where Ryder and his girl apparently get it on while each of them are shifted into the other's shape. Then it turns out the hippie guy has figured out how to become incorporeal or something? And also some of the Skrulls they killed were innocents, and now pretty much the entire native Skrull population has showed up to kill them in revenge. Most of the members of the Krew have learned nothing from this, and believe Skrulls should still be killed wherever they are found. Really, the major members of the Skrull Kill Krew are looking less and less like heroes and more and more like villains. It's creepy stuff. This issue feels a bit clumsily written, and some of the plot points don't make all that much sense, but it's definitely interesting and thought-provoking.
Thumbs Up
Star Wars: Dark Times #14
After a long recess, the Blue Harvest storyline (not to mention Dark Times itself) finally continues. We get a fun peek at what Darth Vader is up to these days (it consists mainly of absentmindedly kicking ass in epic fashion while worrying about the Emperors plans), and then it's back to Dass Jennir, who is quickly discovering that his hot employer is not as good or as innocent as she seemed. Then again, Dass Jennir isn't as good or innocent as he used to be, either. He shows up at a mining platform where they're keeping slaves, and his droid looks around and says, "I'm going back to the ship. Let me know when you've killed them all." And indeed Jennir then proceeds to rather brutally and cold-bloodedly murder everybody. As the narration puts it: "As a Jedi, Jennir was a peacekeeper - protecting the innocent - supporting the laws of the Republic... but without laws - without the Republic - he will become a peacemaker - removing those who would harm the defenseless." He kills only bad guys, and frees a bunch of slaves, but still... sounds like you're on the path to the Dark Side there, Jennir! He's also rather cleverly setting the two gangs against each other, as I thought he would. Great action, a clever plot, and an interesting central character with a lot of depth and drama to him.
Thumbs Up
Wednesday Comics #8
Batman - Batman makes a rare mistake, and the Commissioner is pretty pissed at him. It's an odd scene, and feels out of place in a Batman comic. It's hard to believe that Batman could still fall for a pretty face. Meanwhile, the true villain is finally revealed.
Kamandi - More beautiful, epic art, and Kamandi and his pals gain some new, powerful allies.
Superman - Supes seems to finally be working out what's been happening to him all this time. These aliens are messing with his brain! It's taken us a while to get here, but the art is cool, and now we've got another fun fight going on, so...
Deadman - Axe-wielding demon dude does indeed appear to be the villain here, but I'm not sure I trust the hot ghost girls entirely yet. Or maybe I'm just saying that because of the hot, evil woman in the Batman strip...
Green Lantern - More fantastic art from Joe Quinones. He really does faces well. Plus, cool fight!
Metamorpho - A very unique strip this time around. The Element Man and his partner/competitor have to cross a room shaped like a periodic table, where they must turn into the correct element on each square or risk springing a death trap. Gaiman even managed to fit the chemical symbol for each element into the dialog the characters speak on each square. It's quite a crazy gimmick, and artist Mike and colorist Laura Allred do a fine job depicting it. The character's faces are particularly well done.
Teen Titans - Still sucks.
Strange Adventures - Adam's incredibly hot girlfriend shows up at Ragathan and makes a deal with the ruler there. An interesting device is used to skip their no doubt lengthy conference: Pope claims no recording of Alanna-Sardath's conversation with the ruler of Ragathan exists, and sticks narration boxes on top of the world bubbles so we can't read them. In the second half of the page, the narration boxes switch over into some rather philosophical musing about war and greed and family and alliances. The point being, another great episode, with more weird and wonderful art from Pope.
Supergirl - Another cute, but also not particularly exciting episode of this strip.
Metal Men - Sorry, I just don't care about this one at all.
Wonder Woman - This strip has been bad all along, but the writing and page layout are particularly bad in this episode. It's almost impossible to figure out what order you're supposed to read it in, and there's some clumsy postmodern gags about all the exposition they're dumping on us which don't at all make up for the fact that they're dumping a lot of exposition on us. You get the fleeting sense that this could have been an interesting story in the hands of a different writer/artist, as the idea of Wonder Woman getting back the golden lasso of the Amazons at the price of freeing the evil wolf Fenris is an interesting one. But alas.
Sgt. Rock and Easy Co. - This strip has been such a disappointment. Slow and stuttering and clumsy and dull.
The Flash - This strip, however, is definitely one of my favorites. The gang of past and future Flashes manage to take down Grodd's gravity field by eating it up with a million tiny black holes. But are they already too late?? Their past self is still reeling from whatever poison he was given in the restaurant, and now it's affecting all of them! Time travel is just not good for you, people.
The Demon and Catwoman - Boy, that is one slutty witch.
Hawkman - This episode establishes that giant space battles are still going on elsewhere, and so nobody is available to help Hawkman fight off dinosaurs on Dinosaur Island - except Aquaman. D'oh! This strip has really surprised me. I hated the first four or five episodes, but now it's really picked up and is a lot more fun.
Thumbs Up |
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| Tagged (?): Avengers (Not), Batman (Not), Blackest Night (Not), Brian Michael Bendis (Not), Comic books (Not), Dark Reign (Not), Doctor Who (Not), Flash (Not), Geoff Johns (Not), Grant Morrison (Not), Green Lantern (Not), Greg Pak (Not), Hulk (Not), Jason Aaron (Not), Kevin Smith (Not), Mark Waid (Not), Matt Fraction (Not), Muppets (Not), Pixar (Not), Predator (Not), Scalped (Not), Sherlock Holmes (Not), Spider-Man (Not), Star Wars (Not), The Take (Not), Wednesday Comics (Not) |
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| Wednesday, August 26, 2009 05:30 PM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from 8/12. These days I'm trying hard to omit the plot synopses, but I still might slip in a spoiler now and then, so be warned.
Adventure Comics #1
Conner Kent is trying to get back into the swing of being alive by doing all the things Superman did - living with the Kents, going to Smallville High, joining a team of superheroes, and helping anyone who needs it. But some evil entity is already after him, presumably with the plan of making him dead all over again. And the final page of the comic reveals there's a lot more to Conner Kent than there at first appeared. It seems he's going to try to replicate the deeds of both of his "fathers." Very interesting! This is one of my favorite last page surprise reveals in a while. It really turns both the character and the story on their heads and opens up a whole new series of possibilities for the future. I'm impressed!
The backup story, also by Geoff Johns, focuses on the mentally disturbed Starman, who's trying to keep the various threads of his mind together long enough to complete some final mission for the Legion, but what that mission is isn't entirely clear. We get a few intriguing glimpses of the future to come, but they're mostly just puzzling fragments. I can't say I'm a huge fan of crazy Starman, but I'll probably stick with this book, for the main story if nothing else, and we'll see how it goes.
Thumbs Up
B.P.R.D.: 1947 #2
Man am I loving this one! I always love stories about people crossing over into ghostly other worlds, and the fact that it's Mike Mignola and Joshua Dysart's words and Gabriel Bá and Fábio Moon's drawings telling the story just makes it that much better. The drama, tension, and sense of threatening danger build as we cut back and forth between Simon and his friends. And I love the way Mignola handles witches in his universe - dancing with goats and giant toads. Simon is in trouble, but it looks like he might have gotten Konig in trouble, too. Good stuff. In the back of the book is a preview for the release of a trade collection of Guy Davis' The Marquis. It's hard to get a real feel for it from just these four enigmatic pages, but it certainly looks eerie and intriguing. I might have to check it out.
Thumbs Up
Blackest Night #2
I've already gone back and forth a few times on the whole Blackest Night thing, but now I feel pretty certain I'm just going to drop it. It's just ridiculous and cheesy and not very good. Sure, the idea of Deadman coming back to life is kind of interesting, as is the idea of an evil Aquaman going around making sharks eat people. The Spectre going bad is also fascinating, and I like the use of the "Flash Fact" thing. But those ideas aren't enough to make up for the general lameness. I've also noticed an unfortunate consequence of bringing characters back to life who have been dead for a long time: the guys who die and stay dead in comic books tend to be the expendable guys that nobody really cares about, and that nobody remembers. I had to look up Don Hall and Hank Hall online to figure out who they were.
I was surprised at how much I enjoyed the prose piece in the back from The Book of the Black. It's well written and uses metaphor and everything. I also like the preview of Superman: Secret Origin #1 in the very back. But it's done by the dynamite team of Geoff Johns and Gary Frank, so it was almost bound to be good. Just in this preview you get to see the historic first meeting of Clark Kent and Lex Luthor (it involves Kryptonite!), and Clark runs to save Lana from a tornado. Good stuff.
Thumbs Sideways
Blackest Night: Batman #1
How did I talk myself into buying the first issue of a Blackest Night spin-off miniseries written by Peter J. Tomasi? Sigh. I guess the word "Batman" was enough to pull me in. As one might expect, it is Not Good. Tomasi doesn't handle Damian or the relationship between him, Dick, and Bruce with anywhere near the subtlety and power of Grant Morrison. We get to see a bunch of villains come back to life, but they must be rather obscure second- or third-stringers because I recognized only one of them. Blackest Night is really over-the-top in many ways, but bringing the zombie Flying Graysons into it might be the most ridiculous thing yet. I'm definitely dropping this one.
Thumbs Down
Captain America: Theater of War - To Soldier On #1
I've been surprised at the high quality of most of these Captain America: Theater of War one-shots, but this might be the best one yet. Cap isn't even the main character here; instead, we focus on a regular soldier in the Iraq War, trying to make it through a tough situation with a bunch of his buddies. We see Cap from a different perspective: to the grunts he's an impossible, superhuman hero, but also a rather obtuse superior officer whose decisions sometimes irritate his men and put them in danger. Ultimately this is a story about what happens to regular people during and in the aftermath of warfare. It's powerful, insightful, and emotionally effective.
Thumbs Up
Final Crisis: Aftermath - Escape #4
I think I'm done with this series. It just keeps being odd and surreal and repetitive and not really going anywhere.
Thumbs Sideways
Hellboy: The Wild Hunt #5
Yay, Hellboy's back! Unfortunately for him, the Queen of witches is after him. In his desperation to save Alice from poison, Hellboy is tricked into making what could be some really dangerous mistakes. He frees a fly (probably a powerful demon) from its prison, and accepts the help of Morgan Le Fay. There's a really fantastic scene where the Queen of witches demands a terrible crime in worship of her, and says she will become a goddess of war. I love the regal, old timey, magical speeches she makes. And Duncan Fegredo's art, in combination with Dave Stewart's colors, is of course absolutely beautiful.
In the back is a very odd story indeed called "The MonsterMen in O Sinner Beneath Us!" It's written and drawn by Gary Gianni. I assume The MonsterMen are characters from some kind of ongoing series, but I don't know anything about them. The story itself is about a man in a suit and a knight's helmet, and a young woman trying to exorcise the ghost of a young girl from a house. In the process, they meet an old friend who turns out to have a terrible and powerful artifact that causes some trouble. I'm not sure how I feel about this story. There are some cool ideas, but overall it feels a bit confused and hurried. It looks like this is the first part of a two part story, so we'll see how it finishes up in the next issue.
Thumbs Up
The Incredible Hercules #132
I think it's time I gave up on this series again, too. It's not that it's bad, it's just not that good. The opening is pretty clever - it's a handful of panels quickly explaining Thor's origin, accompanied by sarcastic commentary by Hercules. Inside, Herc is given the task of hiding Zeus, but almost immediately screws up and gets the two of them embroiled in a dangerous adventure. There are some neat ideas, and the usual amusing sound effect words, but overall I'm just not impressed. Maybe it's time to put Greg Pak on my list of authors to be avoided. It's too bad, because I know he can be really good sometimes. It's just that most of the time he's really just mediocre.
Thumbs Sideways
Marvel Comics #1: 70th Anniversary Edition
This is one of the stranger of the 70th anniversary one-shots. I'm pretty sure this one is all reprints of old Golden Age stories - it might even be an exact reprint of the actual original Marvel Comics #1 - except that the art and coloring appears to have been cleaned up and redone so everything's a bit sleeker and prettier. There's a very odd black and white comic strip on the first page (which is not particularly funny), then we get the origin of the Human Torch, which is a rather strange story when you get right down to it. Despite being encased in a concrete block for most of his life, the Torch is surprisingly compassionate and knowledgeable; he immediately recognizes a racketeer at work when he sees one, and resolves to defeat him. It's interesting that Dr. Horton, the Torch's creator, isn't all that good himself; he too is touched by greed. The Torch is the only really good man in the story (despite the fact that he's not a man at all), and he spends the great majority of it being maligned, manipulated, and misunderstood. It's a pretty complex and well put together story for the Golden Age, although it certainly does have a bit of that Golden Age weirdness to it.
Next up is the story of The Angel. This character I don't know all that much about, so it was cool to read what's essentially his origin story. Interestingly, The Angel is really more like an early version of The Punisher than anything else. When he learns there's a group of racketeers called The Six Big Men controlling the city, he puts their names on a list and kills them off one by one. It's pretty brutal! Of course, it's also a bit silly and clumsily plotted, and the story is hurriedly wrapped up by squashing the conclusion into the last couple of panels; the final panel barely has enough space for a drawing of The Angel in it, as the rest of it is filled with a dialog balloon that's all exposition tying up the remaining loose ends.
Next up is a story I'd already seen reprinted in another recent special: the origin of The Sub-Mariner. I've already complained about how clumsy and unbelievable this story is. But this version of the story has an extra bit at the end that shows Namor and his cousin heading out to begin in earnest their war against the humans. It mostly involves Namor smashing things up and chucking people around while trying to keep his cousin safe. It's pretty fun, and the art throughout is unique and fascinating.
The next story in the book is arguably the worst. It's "The Masked Rider," and it reads like it was written by a rather confused child with a learning disability who was brought up on bad Western movies. There's the usual evil land baron unfairly running the other ranchers out of town, but one man resolves to do something about it, so he escapes from prison by pretending he's sick, puts a mask on, tames a wild horse, and comes back with a gun and starts beating up the bad guys, with the help of the other townspeople. When the bad guys see him, they say intelligent things like, "Yer masked!"
Nearly as silly as "The Masked Raider" is "Jungle Terror," which sees a young kid and an older man resolve to fly out to the Amazon and try to find the kid's uncle, a professor who went out there looking for diamonds and then went missing. After flying all the way to the Amazon from Florida, they suddenly have plane trouble: "Oh-oh! Something's wrong! Motor's missing!!" Uh... only now do you notice there's a motor missing?? Anyway, they crash and are captured by savages, but eventually make it out alive with a diamond. The art is very odd, and the people's faces sometimes take on weirdly demonic expressions, possibly thanks to the odd way their eyes are drawn. The writing is, as you might have already guessed, clumsy, stereotypical, and silly.
Speaking of bad writing, next up is a short prose story "About The Auto Race Tracks" called "Burning Rubber" by Raymond Gill. It's about a guy who's testing an experimental engine in a really dangerous manner, but his concerned girlfriend saves him and helps him out. He misunderstands and is a jerk to her at first, but then all is well. It's quite silly.
Surprisingly, one of the best stories in the book is "Adventures of Ka-Zar the Great," the origin story of a Tarzan-type character called Ka-Zar. His parents' plane crashes in the jungle when he's a boy and he grows up with the animals, making them his friends and learning to communicate with them. It's reasonably well written, and the art is dramatic and effective.
Thumbs Sideways
Marvel Divas #2
I love that Doctor Voodoo sent a zombie to Monica with flowers, like a moaning telegram. I also rather enjoy the depiction of Doctor Strange as a slightly arrogant rock star. This comic seems to have an oddly large number of thought bubbles in it, but not in an annoying way. It's rather touching that the Night Nurse tells Angelica her real name. It's funny that Felicia tries to get a loan from a bank that she robbed. Angelica's predicament and the way she's responding to it is realistic and moving. And Patsy now has a terrible choice to make. This is really a neat book: funny, touching, clever.
Thumbs Up
The Marvels Project #1
A preview of the opening section of this book has been in the back of a lot of Marvel comics lately. I was a little disappointed by that preview for whatever reason, but I knew I'd get the comic anyway because I was fascinated by the premise. And I'm glad I did because it's really living up to my expectations so far. I even liked the opening better reading it in context. It's cool that Brubaker was able to work the Two-Gun Kid into this story, and thus link the distant past of the Marvel Universe to its origins, and its future. I love the glimpse of the secret meeting with the President where the race to create the first superhuman is being orchestrated. Here it comes out that the Human Torch is secretly a government funded project. Meanwhile, the Nazis are at work on their own superhuman, and are killing Namor's people as part of their experiments. And guess who's in charge of that German program? A scientist named Erskine who wants to defect! But the Germans didn't count on Namor's rage or his vengeance. The Human Torch's origin story, which I'd just read in Marvel Comics #1, is retold here in a much smarter, realistic, and dramatic manner. Nick Fury and his pal Red are pulled in to help Erskine defect, and the man who will call himself The Angel finds his purpose fighting looters in the confusion that reigns after the Human Torch escapes his prison and mistakenly burns the city. Brubaker is polishing up all these old stories, giving them vibrant new life, and brilliantly weaving them all together into a new tale: the rise of the Marvels. If it continues to be as good as this first issue, this will be a truly excellent miniseries.
Thumbs Up
Red Robin #3
Suddenly the artist on this title (Ramon Bachs) is really reminding me of Kevin Eastman and Peter Laird. Huh. Anyway, I've been impressed with this series so far, but this issue is kind of mediocre. There's another fun assassination sequence, but the dialog is getting a little weak and melodramatic, and the story is getting a bit dull. I might hang in there for at least one more issue, but... then again, maybe not.
Thumbs Sideways
Toy Story: Mysterious Stranger #4
The final issue of Boom!'s Toy Story miniseries is sadly the weakest. Once again it plays with the idea of the toys revealing the fact that they can talk to humans, but the motive behind revealing it is rather nonsensical, and the argument against revealing it is pretty weak. It seems odd that the toys would frequently think about revealing their secret to humans; surely a toy would have let the cat out of the bag by now if it's something they consider often. On the other hand, if it is a huge taboo, why would they think about breaking it just because one toy was briefly removed from the premises? And why, if Andy knew the toys could talk, would he no longer be able to pretend they were something other than themselves? When kids play with their friends they constantly pretend they're someone else, despite what Woody says. It's just a clumsy story, and not nearly as interesting or effective as some of the others have been.
Thumbs Sideways
Ultimate Comics: Avengers #1
Ever since Jeph Loeb took over Marvel's Ultimate universe and made it really, really dumb and bad, I've been avoiding the titles set there. But seeing as how they're relaunching it now and putting it in the hands of more talented writers, I thought I'd give it another shot. I still wasn't expecting much, however, so when this book, with writing by Mark Millar and art by Carlos Pacheco, turned out to be really awesome, I was pretty startled. Apparently during the events of Loeb's Ultimatum there was a big flood. Luckily I didn't need to know much about any of that to pick up the thread of what was going on. Cap and Hawkeye are out on a mission doing ridiculously awesome and bad-ass things when they run into the Ultimate universe version of the Red Skull. The Skull reveals a horrible truth to Cap that leads to him going rogue and Hawkeye asking Nick Fury to come back to help capture him. Meanwhile, Tony Stark is drunk in some crazy sex club. It's a dramatic, funny, exciting start to the new series, and I'll definitely be tuning in next month for part two.
Thumbs Up
Ultimate Comics: Spider-Man #1
Brian Michael Bendis is in charge of Spider-Man's new Ultimate title, and he's put together a fine first outing. I love the hilarious opening that features Peter Parker facing the overwhelming and horrific task of working at a fast food restaurant. Then an intriguing new hero appears on the scene - but is he really a good guy? He looks kind of like the Hood, if you ask me. Pete's relationship with Gwen Stacy is getting all hot and heavy; something bad happened to Johnny Storm; and the Kingpin is back, but a new villain shows up (is it Ultimate Electro?) and does something pretty stunning and awesome to him. It's an incredibly fun and action-packed first issue of what looks likely to be an exciting new comic. Which actually kind of pisses me off, because it's I really don't need a new series to collect.
Thumbs Up
Uncanny X-Men #514
Hey, Psylocke is back. And boy does she look stunning in that "wetsuit." Sadly Norm's Avengers and Emma's X-Men don't get to finish their fight. We're given a slightly better explanation for why Cloak and Dagger joined Emma's X-Men, which is nice. Dani Moonstar shows up in Vegas to make a deal with somebody, but I'm not sure who. I feel like maybe I'm supposed to know what's going on there from the clues I've been given, but I'm hoping I'm wrong, because I have no idea. It's good to see the real Wolverine show up and it's good to know Scott has sent him and some others on a mission to retrieve their people from prison (I was wondering when he was going to get to that). As for the last page, I have no idea what's going on there. I don't know who any of those people are or where they're going. And I'm pretty certain I'm supposed to know. Sigh.
I think it's time to drop this one again. I started collecting it again because of the whole Utopia thing, but I still really don't like Matt Fraction's very much, and I just don't care about Utopia anymore.
Thumbs Sideways
Wednesday Comics #6
Batman - Batman fights a guy! I'm not entirely sure who or why. Is he the assassin from before? I guess. Anyway, the art's good.
Kamandi - Speaking of good art, the art on this title continues to be amazingly beautiful. And the story is a fun and engaging adventure tale.
Superman - Looks like we're done watching Superman brood and something is actually going to happen now, as the buddies of the alien he beat up in the first issue seem to have shown up looking for revenge. Love the art on this one, too.
Deadman - Deadman has apparently died again, but at least he also got to meet some pretty ladies.
Green Lantern - We finally learn what Hal did to get himself kicked out of the astronaut program, and we get to see what part Dill played in it all. Interesting stuff. And now it looks like the flashback is over and we're going to get back into the action in the present. Fun.
Metamorpho - I just can't get a handle on this strip. Gaiman seems intent on trying every crazy idea he can think of with it. This time there's a fight with a snake on a ladder, the Metamorpho Fans of America intrude again, and then the rest of the strip is a Metamorpho-ized version of Snakes and Ladders. I appreciate the creativity on display here, but at the same time... it's just really weird.
Teen Titans - Still sucks.
Strange Adventures - Things take a really fascinating turn in this week's issue of this strip, as we find that Adam has returned to Earth, and to his own body - that of an old professor. Unable to find the chart of the Zeta-Beam's trajectory, he must remain on his home planet and move forward with his expedition to Machu Picchu. There are some fantastic images from the archaeological dig, and Adam begins to lose all sense of reality. Have all his adventures on Rann been a dream, and this is the dull reality? Or is his life on Earth the dream, and Rann the truth? Wonderful ideas + stunning imagery = great comics.
Supergirl - I actually rather like the latest episode of this strip, as it features an amusing modern interpretation of Aquaman (or is that Aqualad?). He's incredibly busy, dealing with one problem after another in the seas all over the Earth. He uses odd combinations of modern slang, and shells like cell phones (shell phones?).
Metal Men - I'm still not all that interested in this strip, but the addition of an evil giant robot does make it at least a little more attractive.
Wonder Woman - There are a couple of interesting things in this strip: a cool story about an ancient sword known as "The Red Death," and the introduction of the modern version of WW's buddy Etta, who gets to fight monsters with a lollipop - although that turns out to be a hallucination brought on by drugs, apparently. Despite these few interesting things, however, this strip continues to be cluttered, confused, and rather silly.
Sgt. Rock and Easy Co. - Hey, it looks like something is finally about to happen in this strip! In a rather surprising turn of events, Rock gets cut free by a traitor! Maybe he can beat up some Nazis next time. Assuming he's up to it.
Flash Comics and Gorilla Grodd - Yes, Iris West has been replaced by Gorilla Grodd! That's a nice surprise. Flash escapes from the horrific trap he was thrown into at the end of last issue via a crazy awesome use of his super powers, then dashes back to meet up with two more Flashes, one of whom is only interested in making his dinner date. Meanwhile, Gorilla Grodd seems to be telling us the fascinating origin story of its titular character. Cool stuff!
The Demon and Catwoman - I thought this issue would be the big fight between the Demon and the witch, but it's just more backstory explaining their relationship. Thankfully it's pretty interesting backstory, and well illustrated.
Hawkman - I'm pleased to say that this continues to not suck, although it looks like it might be about to turn into Lost, which is a little disturbing.
Thumbs Up |
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| Tagged (?): Avengers (Not), B.P.R.D. (Not), Batman (Not), Blackest Night (Not), Brian Michael Bendis (Not), Captain America (Not), Comic books (Not), Ed Brubaker (Not), Final Crisis (Not), Geoff Johns (Not), Green Lantern (Not), Greg Pak (Not), Hellboy (Not), Mark Millar (Not), Mike Mignola (Not), Neil Gaiman (Not), Paul Pope (Not), Pixar (Not), Spider-Man (Not), Superman (Not), The Take (Not), Toy Story (Not), Wednesday Comics (Not), X-Men (Not) |
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| Thursday, August 13, 2009 12:27 AM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from 7/29. These days I'm trying hard to omit the plot synopses, but I still might slip in a spoiler now and then, so be warned.
Blackest Night: Tales of the Corps #3
Our first tale is by Peter J. Tomasi with art by Chris Samnee and it's an interesting look back at when Kilowog was a rookie Lantern and had to fight his way through his own brutal training period with a drill instructor shouting in his ear. I have to admit it's not a particularly creative story, and it's quite predictable, but I still found it amusing, effective, and even rather moving. There were also some fascinating moments, like Kilowog's short conversation with Sinestro at the end.
Tomasi once again provides the words for the next story, but this time it's Mike Mayhew who does the (rather lovely and realistic) art. The tale is about Arisia and her proud but sad family tradition with the Lanterns. Once again, nothing really shocking and new here, but still a solid little story that's surprisingly effective. The last tale in the book is rather ridiculous: it's Blackest Night #0, this time reprinted with just the black and white pencils and no colors, and accompanied by extra narrative boxes full of "Director's Commentary." The problem is, Blackest Night #0 wasn't all that great the first time around, and there's very little interesting information contained in the commentary.
Thumbs Sideways
Dark Reign: Lethal Legion #2
This issue reveals how Wonder Man got roped into joining the Lethal Legion, delves into the interesting and complex relationship he has with his brother, shows us more of the group's crazy plan to kidnap Osborn, and then hits us with a zinger of an ending. Wow! I was actually thinking about dropping this book after the rather bland first issue, but it's turning into a surprisingly good comic.
Thumbs Up
Dark Reign: Sinister Spider-Man #2
This comic opens with what is definitely one of my favorite recap pages ever: it's done up as a page in Mac's spiral-bound notebook diary, surrounded with cute stickers and character portraits in little paper hearts. Meanwhile, the things it describes are absolutely horrific and awful. Brilliant! Inside, it quickly becomes clear that nobody really bought Mac's frame-up of the Mayor, but it was still plenty embarrassing and annoying for JJJ, and after all that was the goal. To create further embarrassment and chaos, Mac initiates a gang war, then picks up a bunch of hot triplets, who mistakenly and hilariously refer to him as Ant-Man (he doesn't mind). Meanwhile, the subplot with the crazy Redeemer guy gets a lot funnier and a lot more interesting as we learn more about the gang of crazy freaks he's brought together. General Wolfram's fake origin story is hilarious, and Doctor Everything turns out to be a brilliant parody of Doctor Manhattan (with his censored shlong hanging out and everything) who's never even met Spider-Man, and has just joined the group seeking human companionship. It amuses me that the gang who are out to get Spider-Man claim they really want to "save" him. And of course the irony of Spider-Man being chosen to help J. Jonah Jameson with the gang problem that Spider-Man himself started just to piss off JJJ is quite delicious. Yep, I'm loving this series, too! Still enjoying the silly letters column, even.
Thumbs Up
Dark Reign: Young Avengers #3
Speaking of great recap page concepts, this series has a good one, too: it's a blog! Inside, we get to see the "Dark" Young Avengers getting tested for inclusion in the real Young Avengers. The test consists of each member of the former group teaming up with one member of the latter group to perform tasks like fighting helicopters and Hydra soldiers. The way Cornell jumps from one scene to the next, stringing the dialog together on the connecting phrase "an Avenger," is vaguely clever, but also kind of annoying. Coat of Arms' origin story is quite odd (maybe it'll be explained further later on?), but it's good to finally know the truth about the Enchantress. It's interesting how the one team of Avengers goes about grading the other team of Avengers, and how each team is affected by the other. Kate's conversation - the real one, and the one she wished she had - with the Executioner is enlightening and disturbing. I loved getting glimpses at a couple more of Coat of Arms clever, funny, postmodern art pieces. And of course it's intriguing learning that Osborn is keeping a close eye on this whole situation, and apparently expects something to come out of it soon that will be to his advantage. This is a really unique, thought-provoking series with some excellent dark comedy.
Thumbs Up
Ignition City #4
I already knew someone was going to say "Science will fuck you!" in this issue, because Warren Ellis tweeted about it before the comic hit the stands, but knowing it was coming, and seeing a mad scientist kick his door open holding a homemade laser, shout out that ridiculous and fantastic phrase, and then blow some crap up and scare off a couple of bad men, was really another thing entirely. An awesome thing. That character's dialog is wonderful throughout, actually. He may be my favorite person in this book so far, and there were already a number of great people here. He and Mary now both know the terrible, impossible secret that got Mary's Dad killed, but it remains a mystery to the reader. We also get an intriguing but mostly unilluminating glimpse at the post-apocalypse the guy from the future has seen. This is a good, exciting comic. It smells of science!
Thumbs Up
Kid Colt #1
This is a one-shot I picked up mostly on a whim. It tells in four chapters an adventure in the life of one of Marvel's old timey Western heroes: the titular Kid Colt. Rick Burchett's art is quite nice, and writer Tom DeFalco tells a reasonably engaging, classic Western story about a fantastically talented young gunslinger running from the law because he's been accused of a crime he didn't commit. Unfortunately, although it's unobjectionable, the story is also rather bland, predictable, and unimaginative. Certainly not terrible, but definitely a disappointment.
Thumbs Sideways
The Muppet Show: The Treasure of Peg Leg Wilson #1
Yay, a new Muppet Show miniseries from Roger Langridge! As usual there's a lot of stuff going on, but the main plotline revolves around an old treasure map which Scooter finds while cleaning up a storage area, and which the rats take very seriously. There's a great subplot involving a tap-dancing ninja, and another one about Animal getting all straight-laced and boring. Kermit is acting equally oddly, but whereas Animal's condition is explained, Kermit's is not. I wouldn't be surprised if it turns out that's not really Kermit at all! At the end of this issue, Animal is tired and lost, and everyone signs a get well card for him. It's sweet and funny and even a little sad. It's the Muppets and I love it.
Thumbs Up
The New Avengers #55
We jump back in time to get a look at what happened to The Hood's gang at the conclusion of the big fight in New Avengers #50, then we get an amusing look at how the Avengers are really trashing Bucky Cap's place and it's kind of pissing him off. Frankly, I like Ronin's plan to just kill Osborn, and I think Spider-Man's being a little stuck-up and nitpicky about the whole thing. And wow, did the Avengers fall into that trap like a bunch of idiots or what? And wasn't that the exact same trap they tried to set for Osborn and his gang earlier? D'oh. All in all, a pretty decent story. Can't say I find the preview in the back for Vengeance of Moon Knight all that tantalizing, though. Don't think I'll be picking that one up. Moon Knight just doesn't do it for me.
Thumbs Up
Son of Hulk #13
This book is going off in a completely new and weird direction. It's now in the hands of a new creative team (Paul Jenkins writing, Andres Guinaldo drawing) and it's jumped back in time to follow the refugees who escaped the destruction of Sakaar. But if it's not about Skaar anymore, you might ask, then why is it still called Son of Hulk? Because it turns out the Jade Giant left yet another kid behind on Sakaar without knowing it. This one's a former slave named Hiro-Kala. (Hiro. Riiiight. Very subtle.) But how the heck did Hulk have another son?? Where did this kid come from? It doesn't even make any sense. And I am seriously sick and tired of all the back and forth about the stupid world-breaker/Sakaarson/life-bringer prophecy. I don't care anymore whether the prophecy's true or false, whether somebody just made it up or not, or whether this guy's going to break the world or that guy's going to save everyone. They've led us down too many different paths with this thing and dicked us around on it too many times. I've had enough. And Hiro's going to go after Galactus now, too? There's already another miniseries going on now about a guy going after Galactus (Beta Ray Bill: Godhunter), and it's much better written than this.
So yeah. Not really a fan of this issue. But the good news is that means I can now drop this book again.
Thumbs Down
Star Trek: Mission's End #5
I really love how this miniseries comes to a conclusion in this issue. Kirk swoops in and saves the day just like we knew he would, of course, but the other characters get to be heroes, too. Mr. Scott's cold, hard, calculating tactics against the Orion fleet are particularly bad-ass. And I really love how the spider king develops as a character, and makes a powerful, culture-changing choice for his people. The idea of the alien artifact turning into a doorway into another dimension that the spiders and crawlers all walk through is also really effective and intriguing. Then the Orion pirates are disposed of in satisfying fashion. In a cute and funny sequence, Kirk finally gets the girl... but then pushes her away to offer her a promotion instead. And hey, check out the dude in the first panel on page 17. That's Han Solo making his way off the Enterprise! Thanks to artist Stephen Molnar for that wonderful little cameo, and the excellent art throughout.
The final scene of the book is perhaps the best, however, as the old school Star Trek trinity - Kirk, Spock, and McCoy - have a revealing conversation which works as a fascinating examination of their relationship with each other, and of them as individual characters, and which believably and realistically explains why each of them ended up where they were at the start of Star Trek: The Motion Picture. The events of this miniseries have led all of them to take a deep look inside themselves, and they've all come to some disturbing conclusions. Spock has realized he's still troubled by emotions and he needs to see if he can purge them once and for all; McCoy has realized that he's too old for this shit (especially if Kirk's not going to be in the Captain's chair to save his bacon anymore); and Kirk has realized that if the people higher up the chain of command are making poor decisions, he needs to get up there himself so he can make better ones.
This is a truly excellent series. Author Ty Templeton really understands these characters and what makes them tick, and brilliantly bridges the gap between the original TV series and the films. Highly recommended for any fan of old school Star Trek.
Thumbs Up
Toy Story: Mysterious Stranger #3
I was confused at first as to how this was going to hold together as a miniseries, given that each story so far has been a one-shot story-wise, but I'm realizing now that the title of the series is the recurring theme that runs through each episode, and in fact each story has a very similar plot: the toys encounter something new and strange, initially react to it with fear and paranoia, but then ultimately learn how to deal with it and sometimes even embrace it. In this case the new element they have to deal with is Andy's dog, and the fact that he's seen them walking and talking and thus knows their secret. This poses an interesting problem for the toys, but is ultimately resolved when they help the dog out and make friends with him. It's not clever, complex art or anything, but it's a fun enough little tale.
Thumbs Up
Wednesday Comics #4
Batman - It's been done before, but I enjoy the panel where Bruce's shadow takes on the shape of the Batman. And hey, Mrs. Glass is hot, and it looks like Bruce is about to score with her!
Kamandi - There's really just a couple quick moments of action in this one before it's all over, but man, Ryan Sook's art is just so beautiful, you've got to sit back and admire it for a while.
Superman - Clark's still back home in Smallville, trying to work through his sudden attack of ennui with the help of a corn dog! Things get a bit more interesting at the end of this episode, as he steps into the family barn and takes a peek at what I assume is the Kryptonian ship he crash landed in.
Deadman - This one's growing on me. It helps that this episode includes lots of action-packed demon fighting and big, dramatic art.
Green Lantern - Speaking of great art, check out Joe Quinones' great work in this strip. There's also some great further characterization of Hal Jordan and his buddy Dill via an amusing flashback. Gotta say I think Busiek's doing a much better job handling Jordan as a character here than Johns is doing in the current Green Lantern book.
Metamorpho - This episode we go back to normal comic book format (stuff happening sequentially in separate panels, instead of all at once in one giant panel) and the plot suddenly takes a leap forward - namely, we meet the Element Woman Urania Blackwell and learn that she'll be Rex's enemy and competitor in the search for the Star of Atlantis. Should be fun. But why does Metamorpho look so weird and creepy in the penultimate panel?
Teen Titans - Still sucks. It's too bad, too, because I really like the cartoon.
Strange Adventures - With Adam zapped back to Earth, we're now left to follow the adventures of his super hot, super bad-ass, punk rock girlfriend, Alanna-Sardath. She escapes the mandrill aliens on a giant greyhound! Needless to say, this is another awesome episode full of fun dialog; ridiculously lush, creative, and beautiful art; and exciting action.
Supergirl - Okay, the face-off between the cat and the evil-looking mouse illustration is funny. But mostly I still just don't care about this strip.
Metal Men - Now that a supervillain has suddenly revealed himself, this story has gotten a bit more interesting. And the dialog is kind of funny. But there's still something about it that's keeping me from really loving it. Not sure what. I guess I just don't care about these characters all that much.
Wonder Woman - Still cluttered and dumb.
Sgt. Rock and Easy Co. - Finally something almost sort of happens! But yeah, I feel like I'm still waiting for the story to pick up and get going. It's so dull!
Iris West and The Flash - We get to see the straw that broke the camel's back as far as Iris and Barry's relationship was concerned, but then the two Flashes enact their plan to split up and woo Iris and defeat Grodd at the same time. The wooing part seems to be going all right, but the defeating Grodd, not so much. In fact, it looks like the Flash is caught in a kind of time loop there; he was actually defeated before he even got to Grodd. These two strips are ridiculously clever and fun.
The Demon and Catwoman - The Demon finally gets to really let loose with the cool, poetic language in this one. I like!
Hawkman - This has easily been the worst strip in Wednesday Comics throughout its run so far, but in this issue it gets totally crazy and epic and action-packed. We pull out to the planetary scale and the rest of the JLA starts to get dragged into the story. Then Hawkman finishes things up by beheading his enemy and delivering a ridiculous but oddly hilarious and bad-ass one-liner. Kyle Baker could save this strip yet!
Go, Wednesday Comics, go!
Thumbs Up |
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| Tagged (?): Avengers (Not), Blackest Night (Not), Brian Michael Bendis (Not), Comic books (Not), Dark Reign (Not), Geoff Johns (Not), Hulk (Not), Muppets (Not), Paul Cornell (Not), Pixar (Not), Star Trek (Not), The Take (Not), Toy Story (Not), Warren Ellis (Not), Wednesday Comics (Not) |
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| Tuesday, August 11, 2009 12:43 AM |
| The Take |
| by Fëanor |
Fëanor's (semi-)weekly comic book review post.
This post covers new releases from 7/22. These days I'm trying hard to omit the plot synopses, but I still might slip in a spoiler now and then, so be warned.
Aliens #2
As I suspected, the only survivor of last issue's massacre is the ship's artificial person, but I had so little time to get to know the characters that I don't remember which guy he is. There's a pretty weak and rather contrived explanation for how he ends up getting in contact with the girl who's trapped and surrounded by aliens - without thinking, he just follows the basic procedure for taking off in a landing craft and tries to contact the "tower" first, but of course there is no tower, and he knows that. The girl picks up his random transmission and asks him to come save her - which he stupidly agrees to do! Dude, wtf? The planet is full of people who want to kill you (and who succeeded in killing all of your friends) and monsters that want to kill you. Get out while the getting's good! But of course, if he did that, there wouldn't be a story, so out he goes. We get a little more backstory on what happened to the people on the planet, but there's still no real solid explanation for why they all went crazy. Then our hero mistakenly saves the murderers instead of the little girl he was trying to find. Whoops! That should make next issue rather awkward.
I'm still not sure about this series. The story seems a bit clumsily written and I'm having a hard time mustering up any interest in the characters. But I'll hang in there for a bit longer. Maybe it'll go somewhere eventually.
Thumbs Sideways
The Amazing Spider-Man #600
I haven't bought a Spider-Man comic in a while, but I figured since it was the giant-sized, super-special 600th issue, I should make an exception. Believe it or not, there are actually seven separate stories in this thing. The first is the longest and tells the tale of the return of Doctor Octopus and the marriage of Aunt May to J. Jonah Jameson's dad (this is another one of those times in comics where it's hard not to stop and think, "Wait a minute, how old are these people now?!" But it's usually best to think of the characters as ageless and timeless and leave it at that). Dan Slott takes on writing duties, and John Romita, Jr. provides the pencils. I usually really dislike Slott's work, but he's not terrible here, and I always love John Romita, Jr.'s stuff. I like that there's actually consequences to an average human like Doc Ock getting bashed about all the time by superhumans. I'm a little sad that The Bar With No Name got trashed, but then again, it's happened before and the place has come back. I enjoy the scene where Blindside thinks he's got the drop on Daredevil when he uses special chemicals to make him... blind. Whoops! I also like the idea of the city of New York rising up to try to kill Spider-Man, and to try to stop Aunt May's wedding, all because Doc Ock is plugged into the infrastructure and his subconscious is full of hate and jealousy. Spider-Man has a few amusing comments, too, like his argument with Ronin over what the team is called, since there are three or four or five different "Avengers" these days. Also funny and effective is the relationship between the Fantastic Four and Spider-Man, especially between Spider-Man and the Human Torch. I like that they remind us that Peter Parker is actually a pretty damn smart guy with some pretty mighty brainwave patterns of his own. In the end it's hard not to feel bad for Doc Ock; after all, he just wanted to do something great before his time ran out. Sure, he went about doing it in a psychopathic, megalomaniacal way, but he tried. Aww, and the FF gave Spider-Man an FF hoodie to cover up his burned off costume! I wish I had one of those. The marriage scene is actually quite touching, and I really enjoyed the classic byplay between Parker and JJJ. And then of course there's the rather dramatic return of MJ, which is fun. It's actually a surprisingly good story.
In between stories are a series of comedic illustrations: "Amazing Spider-Man Covers You'll Never See." The last one, which features a team-up between Batman and Spider-Man, is probably the best, but they're all reasonably clever and funny.
The next story is "Identity Crisis" by Stan Lee, with art by Marcos Martin, and is done totally for laughs. Spider-Man visits a psychiatrist named Dr. Gray Madder (who looks a bit like Stan Lee, actually) and tells him about all the craziest stuff that's happened to him through the years, in the hopes that the doctor can help him understand it and get past it. But Spider-Man's stories are so insane, they just end up driving the doctor crazy, too! It's not the best story ever, but it's fun for what it is.
"My Brother's Son," by Mark Waid with art by Colleen Doran, might be my favorite story in the book. It's about the relationship between Uncle Ben and a young Peter, and even though I saw the end coming, it's still a really sweet and moving story. The next one is also pretty cute. It's "If I Was Spider-Man..." by Bob Gale with art by Mario Alberti. Pete is sitting by a playground jungle gym and hears a bunch of kids discussing what it'd be like to be Spider-Man. At first one of them thinks it would be awesome, but the others convince him it would actually be a huge pain in the ass. Pete quietly, laughingly agrees, and wanders off to wash his costume at the laundromat.
Another rather sweet and moving story is "The Blessing" by Marc Guggenheim with art by Mitch Breitweiser. It's about Aunt May learning not to feel guilty about moving on and loving someone else now that Uncle Ben is gone. It's a bit corny, but still effective for all that.
"Fight at the Museum" by Zeb Wells with art by Derec Donovan is pretty funny, offering some meta, postmodern commentary on the history of Spider-Man. Pete and his friend are visiting a museum exhibit on superhero design when Pete is embarrassed to discover a bunch of folks standing around making fun of the Spider-Mobile (including a dude on a Segway who is clearly the Comic Book Guy from The Simpsons). But he is moved to tears when one of the kids gets yelled at by his mom for making fun of Spider-Man; she points out that Spider-Man is a national hero and even saved the kid's father from a burning building.
The final story in the book I didn't really get, but it's possible I wasn't really supposed to. It's called "Violent Visions" and stars some character I've never heard of named Madame Web. She has some disturbing visions about the various spider-related characters of the Marvel Universe and their enemies, and then has an unfortunate run-in with a mysterious, and seemingly villainous, mother/daughter pair. The inset text at the end suggests this story is meant to be a prologue or setup for what's to come in future issues of Amazing Spider-Man, so it was probably meant to leave me confused and intrigued. Although I'm more the former than the latter.
But overall, this was really not a bad comic.
Thumbs Up
Blackest Night: Tales of the Corps #2
We open with Geoff Johns' tale of how a sexy, winged alien princess went from being a sex slave to the Sinestro Corps to being the newest member of the Red Lantern Corps. Besides the gratuitous shower sequence, it's pretty lame. Johns also provides the words for the next story, "Lost Love," which is about how Carol Ferris is once again convinced to become a Star Sapphire. There are some flashbacks and some dime store psychoanalysis, and then Ferris is popping out of a pink crystal in a ridiculously revealing swimsuit screaming like she's having an orgasm. Jesus Christ I hate this Star Sapphire shit.
The final story, by Peter J. Tomasi, is actually a pretty neat, almost Twilight Zone-style parable about hunger and greed and what is considered valuable. If this story weren't here, the book would be a complete loss. In the back is a short essay by artist Ethan Van Sciver about the symbols of the various Lantern Corps - how they were designed, what they mean, etc. Kind of interesting.
I never thought I'd enjoy Peter J. Tomasi's writing more than Geoff Johns', but that definitely happened here. I think maybe the problem with Johns is that he's taken so many projects on, he can't afford to spend much time on any of them, so they all end up coming out half-assed.
Thumbs Sideways
Captain Britain and MI13 #15
Sadly this is the final issue of this great series, but the good news is that Cornell takes us out with a bang, tying up all the loose ends in a very satisfying and effective manner. The complete nature of Wisdom's incredibly clever and bad-ass plan is finally revealed, and Dracula and his friends don't weather it well. Some more British heroes I've never heard of show up to help out. I like the use of holy water mist, the cold way Blade dispatches Ken, and the absolutely awesome way Faiza dispatches Dracula. I also found myself powerfully moved by Captain Britain getting back together with his wife. "Brian — all I ever needed of you — my hope in hell — was that you'd stay the same." Then there's a very pleasant, appropriately British conclusion to everything. It's excellent stuff.
Thumbs Up
Dark Wolverine #76
We open with a discussion of meetings and what they mean philosophically and strategically, while Daken and Osborn continue to play a little chess game with each other, using the other Avengers and the Fantastic Four as their pawns. Daken is even trying to manipulate Osborn directly. His ultimate goal seems to be to turn everyone against each other and then sit back and watch while everything explodes. Daken is so convincing even I almost believed what he told the Fantastic Four. But it's not clear at the end whether Daken or Osborn has gotten the best of things.
I'm really loving Giuseppe Camuncoli's art here, and Daniel Way and Marjorie Liu's clever writing. I particularly like the way the FF are written.
Thumbs Up
Dethklok Versus The Goon
I've been looking forward to this rather unlikely one-shot since it was first announced. It's a combination of two of my favorite things: the brutal metal band from Cartoon Network's insane animated series Metalocalypse and Eric Powell's zombie-fighting anti-hero, The Goon. Powell does the writing and the art, with Brendon Small (creator of Metalocalypse) providing some dialog and plot assists. The colors are by Dave Stewart. The book opens with a warning (written in that special Dethklok way) for nerds and fanboys to not try to fit the story contained within into any existing continuity. Fair enough. The story itself begins as any episode of Metalocalypse begins: with a meeting of the secret group who are keeping a careful eye on the actions of everybody's favorite metal band. Hilariously, it turns out that William Murderface is the ultimate outcome of a secret breeding program attempting to create the perfect anti-human. Reminds me a bit of the Bene Gesserit breeding program attempting to create the perfect being: the Kwisatz Haderach. Anyway, to keep the anti-human from destroying everything, a programmed assassin dressed like a creepy clown is sent in to take out Dethklok once and for all, but ironically the code phrase chosen to toggle his killer programming is "peaches valentine," which any Goon fan knows is going to lead to hilarity down the line. I love Dethklok's marketing idea of shooting a thousand bald eagles out of a cannon into George Washington's face on Mt. Rushmore, and their belief that this is somehow patriotic. Anyway, a wizard dude shows up to activate Murderface's perfect anti-humanity and thereby take over the world, but he's shot dead in the middle of the act by the security people at the Dethklok castle. This somehow causes a space-time vortex that sucks Dethklok's castle into the Goon's universe. Despite the fact that something really weird has happened, the band isn't even interested in going outside and looking around until they realize the cable is out and they have no booze. And once they do go outside, they mistake the Goon's town for Cleveland. When they go into Norton's, they see the various monsters and decide a costume party is going on, which gives one band member the chance to finally use the inflatable Incredible Hulk chest muscles that he apparently always wears under his shirt, just in case. Heh.
Anyway, the collision of these two universes leads to some really horrible, awful things, like Franky taking cocaine and going wild; a member of Dethklok sleeping with Ma Norton; other members of Dethklok getting horrible things done to them by the Hairy Walnuts Gang; the townspeople becoming suicidal upon hearing the music of Dethklok; and lots and lots of people being mutilated or killed, including a couple of the main characters. Also, the Goon gets to have a thought balloon, which he decides is a first for him.
This is a pretty clever and funny comic that's true to the spirit of both the franchises that spawned it. That being said, I can't say I enjoyed it as much as I could have. It was just a little too disgusting and disturbing for me. Maybe if I read it again in a little while I'll feel differently, but for now...
Thumbs Sideways
Final Crisis: Aftermath - Dance #3
This issue came out during Comic-Con, which I hope was on purpose, because the story works as a very clever and funny satire of fan conventions like Comic-Con. It opens with the team visiting a convention celebrating them: the first Super Young Team Fanfest Extravaganza. They find themselves distracted by all the pretty people dressed like them. Perpetually unable to make any headway with the real Shiny Happy Aquazon, Big Atomic Lantern Boy sneaks off for a dalliance with a fake one, while the real Aquazon has a similar encounter with a Sonic Lightning Flash impersonator. But funniest of all is when Superbat makes out with a girl dressed like him and tweets, "Sometimes dreams can come true." Meanwhile, an evil Nazi-like secret society called The Parasitic Teutons of Assimilation (the P.T.A. - heh) are planning to take over the world, starting with the con. They're very appropriate enemies, given the context; they're a horde of zealots able to copy the powers of the Super Young Team. It amuses me that there are multiple people podcasting from the floor of the Extravaganza, and that Superbat misses the entire fight while making out with his own double. Interestingly, that old Japanese superhero seems to have made some kind of deal with a great and mysterious power, and may have just taken down the villains who have been trying to distract the Super Young Team from doing their duty. Although oddly enough that doesn't look like it's really a good thing. And now the team appears to be breaking up!
Really loving this book. This may have been one of my favorite issues yet. Very smart, very funny, very exciting, and lots of effective character development.
In the back is a preview for Adventure Comics #1. It's Conner Kent, the reborn Superclone, trying to catch up on all the life he's missed by doing all the stuff the real Superman did. It looks kind of cute. I'll probably pick up the book when it comes out.
Thumbs Up
Final Crisis: Legion of 3 Worlds #5
Geoff Johns' long-delayed Final Crisis tie-in miniseries finally comes to an end. And good lord is that end crazy and confusing, and accompanied by plenty of corny, melodramatic dialog. I thought all the Legions had already been pulled together in previous issues, but in this one, even more Legionnaires are called in for an even more insanely huge and epic battle against the Time Trapper and Superboy Prime. But ironically ultimate victory is only gained when our heroes bring their two enemies together, who neatly destroy each other. Prime is somehow sent back to his own planet, before it was destroyed. Mindbendingly, on this planet, this comic book miniseries also exists, and by reading it, Superboy Prime's disappointed and horrified parents have learned about all the terrible things he's done. Superboy Prime reads it, too, and makes some amusing meta commentary. Referring to the book's infamous difficulty with sticking to its release schedule, he complains, "I've been waiting for this stupid thing to end." On the next page he looks back over his shoulder at us and says, "Stop staring at me! This isn't right! You all know it. I was supposed to be the real Superboy! No, I'm not going away! You go away! Get out of here! They think I'm powerless. They think I can't do anything from here. They're wrong. They'll never get rid of me. I always survive." As he's saying these last few lines, he's visiting the DC website and typing something on his keyboard. It's a pretty hilarious and clever ending. The comic book fans and the Legion both hate Superboy Prime and want him to go away, but now he's become one of those annoying fans himself, hanging around in his parents' basement and cursing people off on the internet. Fantastic.
Overall this was a pretty fun and impressive series, but it kept one-upping itself so many times that it got a little ridiculous by the end. Plus the writing really did get quite corny and melodramatic.
Thumbs Sideways
Gotham City Sirens #2
A convenient (but reasonably believable) retcon saves Selina from giving up the true identity of Batman; instead, she offers an actually far more realistic explanation - that Batman is a part that's been played by many different people over the years. Then Harley gets herself kidnapped by the new Bruce Wayne, who's actually Hush. Ugh! Hush is going to come into this? I'm starting to lose my taste for this series. It's okay, but it's not great, and the writing's a little clumsy. I might just give up on it.
Thumbs Sideways
Green Lantern #44
Blackest Night continues! Hal Jordan and Barry Allen have a big fight with the newly resurrected Martian Manhunter. Interestingly, something weird happens to Barry when he touches that icky residue the Black Lanterns leave behind. Also, when J'onn looks at them, he sees Hal outlined in green ("Will") and Barry outlined in blue ("Hope"). He tries manipulating the two of them by bringing up the dark things from their past; when he scares Barry, he suddenly senses "Fear" in the same way he earlier sensed Hope. Apparently he can see in the emotional spectrum now. Does this mean Barry will be getting a blue or yellow ring later on? Or is J'onn just seeing the emotion Barry happens to feeling the strongest at the moment? Hmm. I like when J'onn says, "I'm as powerful as Superman. Why doesn't anyone ever remember that?" Then Scar points out he's not really betraying the Guardians - he's actually finally fulfilling their purpose. He's bringing order to the universe. Emotions cause chaos, so why not destroy them all? He goes on, "I learned this as my body died from the poisonous burn of the Anti-Monitor." Ah, so he's been dead and secretly a zombie for some time! He also says, "The Black Lanterns are collecting hearts full of the splintered light." That explains some things - it's the people who are most full of conflicted emotion that they're going after first. Next episode it looks like a whole planet full of dead people are coming back! I have to admit, Blackest Night is growing on me. This was a pretty interesting issue.
Thumbs Sideways
Immortal Weapons #1
Each issue of this new miniseries will focus on another member of the titular group of eternal warriors, of which the Iron Fist is the best known member. This first issue, written by Jason Aaron and with art by a whole team of folks, takes a look at Fat Cobra. Cobra is a rather ridiculous character, so I guess I was expecting a rather ridiculous story - fun and silly - but with Aaron at the wheel, I should have known better. Many parts of it are indeed darkly funny, but ultimately it takes the form of a rather horrific tragedy. It turns out Fat Cobra has lived so long and drank so much, he's forgotten most of the details of his life, so he's hired a man to research his past for him and write his biography. But Cobra's life story is not the glamorous, impressive tale of adventure and success he expected. Instead, it's full of shame, defeat, and dirty deeds. Some of the best sequences: Fat Cobra serves as a sidekick for Ulysses Bloodstone, and is the sole survivor of a team of kung fu commandos put together by Union Jack to take down "Hitler's secret death squad of S.S. ninjas led by the notorious butcher Herr Samurai." Later he beats Hercules, Volstagg, and what looks like Goom in an eating contest on Olympus, then joins Nick Fury and S.H.I.E.L.D. in defeating a team of Russian werewolves who'd overrun the American moon base. A quick glimpse of Fat Cobra's various romantic conquests reveals a Skrull and somebody who looks like Lilandra. A more detailed romantic sequence starts as a fight, with each of the kung fu moves named in narrative boxes, as is traditional (Diamond Slow Knife-Hand, Elbow of a Thousand Agonies), but then things take a turn for the passionate and the scene continues with each of the love-making moves being named in the same way (Kneading the Golden Dough, The Peddling Tortoise).
What Cobra really wants to hear, of course, is the story of his greatest triumph: how he defeated the Great Dragon and became an Immortal Weapon. But it turns out that wrapped up in the story of his greatest triumph is the story of his most shameful and terrible act. It's a powerful and moving tale. And in the end Cobra chooses to once again forget all about it, as he must have done many times before. Excellent stuff.
Next up is a backup story which will probably continue throughout each issue of this series. It's called "Caretakers," and it's about the Iron Fist trying to help a troubled student. It's by Duane Swierczynski, with art by Travel Foreman. It's okay so far, although I have the bad feeling it's going to get a bit preachy later on.
Thumbs Up
The Incredible Hercules #131
It's Hercules vs. Hercules, in a fight full of the clever sound effects and melodramatic, cheesy dialog I've come to expect from this book. As far as sound effects go, a couple of my favorites are BOSCH and ARDHISDOREE; these describe the noise of the twins kicking each other through and over a scene that looks like it's straight out of The Garden of Earthly Delights. Plotwise, Cho makes an exciting and disturbing discovery about his sister, which turns him against Athena and Hercules, and Zeus sort of reboots himself by drinking the waters of Lethe. These events should lead to some interesting new directions for the story. Although I again find myself tiring of Pak's writing, I'll probably hang in there for at least one more issue, just to see what this whole "Thorcules" thing is about, and to see if Cho ends up going anywhere interesting in the search for his sister (hey wait - this didn't just become The X-Files, did it??)
Thumbs Sideways
The Incredible Hulk #600
Because I like the Hulk, and because this was a big, historic issue, I decided to buy it, despite the fact that most of it is written by the archenemy of all that is good, Jeph Loeb. Loeb's first utterly ridiculous tale, which is also the main story in the book, is narrated by Ben Urich. In the story, he and Peter Parker play the parts of Woodward and Bernstein, and She-Hulk plays the part of Deep Throat. The Watergate comparison isn't my idea, by the way; Loeb actually makes the comparison himself in the text, despite the fact that it's completely inappropriate. In this case, the conspiracy that Urich and Pete are investigating reaches all the way back to the end of World War Hulk. It turns out that M.O.D.O.K. and General Ross, as part of yet another top secret super soldier program (sigh. Don't they have enough super soldiers yet?), had the presence of mind to tamper with the beam that Tony Stark shot the Hulk with, somehow creating the Red Hulk. She-Hulk starts Urich on the path to discovering all this by calling him and meeting him in a parking garage, where she tells him some tantalizing secrets from the shadows, but then almost immediately reveals her identity to him despite all her paranoia. This is all accompanied by plenty of brilliant Jeph Loeb dialog. Later, Parker and Urich are asked to put on A.I.M. beekeeper outfits, and She-Hulk says, "They're not for bees. They never were." Really?? I never would have guessed. I figured all A.I.M. did was keep bees! "What then?" Urich asks. "Radiation," she says. Dun dun dun! Or, more appropriately, duh duh duh! She-Hulk and Doc Samson keep speaking of Red Hulk as "he," like he's this horrible, unnameable thing. They see M.O.D.O.K. and Parker says, "Some guy with a big head is blocking the view." Samson responds, "That guy isn't with a big head... that guy is the big head." Wow. How long did it take you to come up with that one, Jeph? Then it turns out Samson has been brainwashed and has his own split personality now. "The good doctor is out," he says. "The bad doctor is in." Really? I mean... really? Also, the bad doctor is apparently somehow stronger and faster than the good doctor, even though that makes no sense. Spider-Man has equally stupid things to say - which are apparently meant to be funny - about rats and spiders and Albuquerque and the film adaptation of Watchmen. Later he tries to say a well known cliche, but messes it up. Then the Red Hulk somehow sucks the Hulk out of Banner. So I guess Banner isn't going to be the Hulk anymore. Which is lame.
Later Urich is walking in that parking garage again and this time the Red Hulk peeks out of the shadows to threaten him and his friends with death if he prints his story about all this madness. Seriously? The Red Hulk is hiding in a parking garage to threaten Ben Urich? Why exactly would he not just kill him? In fact, why wouldn't he just kill all of them? Why is he hiding? Since when do supervillains care about keeping their villainy secret? The story is stupid, nonsensical, and incredibly poorly written.
The next story is a very silly comedic story called "A Hulk of Many Colors." It's written by Stan Lee with art by Rodney Buchemi. As usual, Lee cameos in his own story, this time as a random military guy in a helicopter. The story itself is about the Hulk and the Red Hulk fighting. Something called the Wendihulk also shows up briefly. Galactus arrives just in time for the punchline - when asked if he can help by smashing the Red Hulk and saving the green Hulk, he says he won't be able to, because he's color blind. Argh! (I should point out that despite the fact that this is just a pointless bit of fluff full of weak jokes that only occasionally illicit a mild chuckle, it's still better than Loeb's story.)
The next bad story is by Fred Van Lente, and it's about "The All New Savage She-Hulk," Lyra. I've never been able to dredge up much interest in this character, and this story didn't help. It's about how she beats some techno-mages who are trying to take over the world by interpreting a prophecy. To put it another way, she solves a rather dumb riddle which reveals that she needs to punch a dude's heart out to kill him. Uh, regardless of what any prophecies might say, punching a dude's heart out usually is a good thing to try if you want to kill him.
I really wanted to like the final story. It's the first part of a six part series called Hulk: Gray, retelling the origin story of the Hulk. It has beautiful art throughout by Tim Sale, but sadly it also has terrible writing throughout by Jeph Loeb. In the frame story, Bruce has come to see Doc Samson on his wedding anniversary, and Samson seeks to help him by having him talk about his past. There's a really lame bit where Doc has Banner look at pictures of people he knows and say the first word that comes to mind. It's just a really weak excuse to get in some backstory and exposition. Then we finally get into a full-on flashback and the origin story begins in earnest. My favorite part is when Banner transforms in the doctor's office and we get to see the Hulk for the first time. The art here is just fantastic. Later there's a great panel that spreads across the entire width of the page, filled completely with the Hulk's massive back and shoulder, with just the corner of his face and his eye peeking up at the top right corner. Directly after this is a two-page splash of him smashing an army jeep. It's good stuff. It helps that during this sequence there is hardly any dialog - just the Hulk doing his thing. If only Jeph Loeb hadn't been the writer on this title, it might have turned out really well.
The rest of the book is a series of ads for future Hulk-related books. Loeb's Hulk #13 is advertised with the phrase "Hulk no more!" What the point is of a book called Hulk with no Hulk in it, I don't know. Incredible Hulk #601's teaser phrase is "Banner and son!" So it looks like this book will be focusing on Skaar as well as Banner from now on. Meanwhile, Incredible Hercules #133 promises to tell the "Secret Origin of Amadeus Cho." In the very back of the book is the traditional (by now, anyway) cover gallery, giving you little thumbnail-sized reprints of every cover of every book that Hulk ever starred in (although I believe they've gone a bit overboard and also included early issues of Tales to Astonish that didn't include him at all). This is kind of a cool feature, but it's hard to really get much out of it, as the covers have been made so tiny in order to fit them all in that it's almost impossible to get a good look at any of them.
After all of this are two final comedic one-page stories with fun cartoon art by Chris Giarrusso and writing by Jeph Loeb's daughter, Audrey Loeb. The first story is Green Hulk trying to pass his driver's test while Red Hulk and Blue Hulk sit in the back seat. Then Green Hulk tries working at HulkDonald's, but Red Hulk and Blue Hulk take too long ordering food. Needless to say, both stories end with disaster. They're kind of cute, but not as fun as it seems like they could be.
There are some moments of brilliance in this extra-large comic, but they're few and far between. The great majority of it is just garbage. It's really a shame.
Thumbs Down
The Incredibles #4
The first of what I hope will be multiple Incredibles miniseries comes to an end with this issue. It's action-packed and exciting, with moving character development, cool ideas, and amusing comedy. I love that the villain turns out to be, not an old enemy of Mr. Incredible as he suspected, but an old enemy of Elastigirl who tracked her down and became her neighbor, biding her time and planning to weaken her with power-stealing cookies, then strike when she was powerless. But Mr. Incredible unknowingly foiled her plan by eating all the food she sent over! Heh. Now Mr. Incredible has to foil her again, this time on purpose, and he does so brilliantly by having Dash sneak the defused devolution bomb into Futurion's prison cell so he'll fix it and Dash can run it back and use it to save them all. Both families, of course, have learned an important lesson: keeping big secrets from each other can get you all in serious trouble. There's also a really sweet ending where Violet has a cute chat with her boyfriend. Aww.
They've really captured everything that was great about The Incredibles and taken the story in a fun new direction. I hope more is one the way and soon!
Thumbs Up
Jack of Fables #36
This is a one-off tale from guest writer Chris Roberson about a time in Jack's life when he happened to stumble upon an enclave of Fable apes living together in the African jungle. When he first meets them, he quotes Planet of the Apes ("Get your paws off me, you damned dirty ape!"), and later another ape nicknames him "Bright Eyes." The apes have among their ranks pretty much every famous fictional ape: Curious George, the orangutans from those Clint Eastwood movies, King Kong, Magilla Gorilla, and so forth. Jack becomes their Tarzan, accepting an ape named Jane as his companion. (Yes, that kind of companion. Eeww.) Naturally, because he's Jack, he treats all the apes terribly and eventually abandons them. The story is reasonably amusing, and Tony Akins' art is excellent as always, but overall it's definitely not my favorite Jack of Fables tale ever.
In the back is a sneak preview of an upcoming graphic novel by Brian Azzarello and Victor Santos called Filthy Rich. It looks to be a classic crime noir story about a guy hired to keep a rich man's femme fatale daughter out of the papers. But it's clear from the very beginning she's going to pull him in over his head. Azzarello seems to be taking the classic archetypes and doing them up right. I'm tempted to check it out.
Thumbs Sideways
Star Trek: Spock - Reflections #1
This interesting new miniseries from IDW is set some time late in the Next Generation era (although presumably before the events of the recent movie prequel miniseries). It opens with Spock, having spent some time on Romulus as a teacher, leaving the planet to return to Earth, for reasons not yet explained. During the journey, a conversation with a rather pesky fellow passenger causes him to flash back to various moments throughout his past. A particularly fascinating scene sees him meeting with Captain Harriman, the man who took over the Enterprise B after the events of Star Trek: Generations. There are some fascinating emotions at play in the scene. Harriman, who was little more than a stereotype in the film, becomes a whole person in this book, with complex feelings of guilt and shame swirling in him, while Spock fights back his own set of complex emotions. Then we get to see another telling flashback, this time from Spock's childhood, developing his character further and illuminating the complicated relationship between him and his father. This is a surprisingly good comic, and I'm looking forward to seeing where it goes next.
Thumbs Up
Wednesday Comics #3
In the first two entries of the latest episode of Wednesday Comics, Batman listens in on an interesting conversation, while Kamandi meets up with another of his buddies and makes a startling discovery: a human girl! Superman, which took a dip in quality last week, is slightly better this week, as Clark decides to cure his ennui by flying back home to Smallville and hanging out with Ma and Pa. Deadman gets more interesting and more surreal as our title character falls through the swirling nightmare effect from Vertigo and into a flaming hell where he gains the solidity of the living again - although perhaps only for a brief time. I'm still surprised to be enjoying Green Lantern as much as I am. Hal has barely gotten through being fawned over by the crowd in the bar when he sees his buddy transform into a hideous alien on live TV and has to fly out again. It's great stuff. Metamorpho is following the same format as last week, with one big panel up top depicting all the action occurring simultaneously, and tiny panels down the bottom feature another amusing message from "The Metamorpho Fans of America." I could wish this one was moving along a little faster, but it's so pretty and so intriguing I'll give it a pass. As for Teen Titans... yep, still sucks. And Strange Adventures is still ridiculously awesome. The lush, beautiful art; the totally fun, over-the-top pulp sci-fi dialog - it's brilliant. The cutesy Supergirl and the bland, though unobjectionable, Metal Men both fail to interest me. And I just can't believe how poorly done Wonder Woman is. There are so many tiny panels, so tightly packed, that you practically need a magnifying glass to follow what's going on. And once you figure it out, you realize it wasn't worth the effort. Dull and dumb. I had high hopes for Sgt. Rock and Easy Co., but I'm starting to get a little frustrated with it. It really needs to start going somewhere soon. I feel like Rock has been getting beaten and Easy Company has been wandering randomly in caves forever. Meanwhile, the dynamic duo of Iris West and The Flash just keeps getting better. When Iris leaves both past Flash and future Flash again, they put their heads together and try to go even further into the past to give it another go, but find themselves instead zipping into the far future by mistake, and meeting yet another version of the Flash, who uses "Ether-Wiki" to fill them in on what's going to happen to Iris. It's totally brilliant. The real villain shows up in The Demon and Catwoman and Catwoman's name suddenly gets a bit more appropriate. Fun. Hawkman has gotten a bit better now that our titular character is fighting an alien, but it's still pretty clumsily written.
As usual, I find myself charmed by the overall experience of Wednesday Comics, even though some of its individual parts are less than great.
Thumbs Up |
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| Tagged (?): Aliens (Not), Blackest Night (Not), Captain Britain (Not), Comic books (Not), Duane Swierczynski (Not), Eric Powell (Not), Fables (Not), Final Crisis (Not), Geoff Johns (Not), Green Lantern (Not), Hulk (Not), Jack of Fables (Not), Jason Aaron (Not), John Arcudi (Not), Legion of Super-Heroes (Not), Paul Cornell (Not), Pixar (Not), Spider-Man (Not), Star Trek (Not), The Goon (Not), The Take (Not), Wednesday Comics (Not), Wolverine (Not) |
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